Secret Modigliani - all on Amedeo Modigliani

GREEN AND WHITE (Summer/Autumn 1917) The lines in green against light white would be the walls and corners against the windows and door with the first studio color. All the walls were painted in green

1913 ??? Paul Alexandre in front of a window Could this painting be dated 1917? Green + White + red courtain detal	1916 ? Woman with pendant Green + White + Wood?	1916 Lolotte with necklace Green + White + Wood?

1917 Nude Green	1916 Seated nude Green + White	1918 The young milkmaid Green + White

1919 Red haired young men Green + White	1919 Seated boy Green + White
LIGHT GRAY (Autumn/Winter 1917 - until come back from the south) The lines in gray against light white with some green walls would be the walls and corners against the windows and door with the second studio color.

1916 Dilewski the photographer White + wood or stretcher bars of canvas?	1916 Leopold Zborowski seated Gray	1916 Christina Gray

1917 Woman Gray ?	1917 Soutine seated Gray	1917 Boy seated Gray + White

1917 Lunia Czechowska Gray + White	1917 Woman with stipes blouse Gray + White	1917 Totote de la gaité Gray + White

1917 Mme. G. van Muyden Gray + White	1917 Woman with blue eyes Gray + White	1917 Woman Gray + White + Red courtain?

1918 Seated woman (Dedie Hayden) Gray + White + touches of Green	1919 Woman Gray + White + touches of Green ?	1917 Standing nude Gray + White + touches of Green

1917 The young Lolotte Gray + White + touches of Green	1918 Woman with pendant Gray	1917 Woman with black tie Gray + White + touches of Green

1918 Gypsy Woman with Baby Gray + White	1918 Gypsy Gray + White	1918 Girl Gray

1918 Girl seated Gray + White + touches of Green	1918 Red hair girl in evening dress Gray + White	1918 Red hair girl with necklace Gray + White

1918 The black dress Gray + White + touches of Green	1918 Woman in blue dress Gray	1917 woman White

1918 Woman with green necklace Gray + White	1918 Woman with black hair Gray + White + touches of Green	1919 Frans Hellens

1918 Young woman Gray + White	1918 Red-haired Woman in a Chemise, half figure Gray + White	1918 Red-haired Young Woman in a Chemise Gray + White + touches of Green

1918 Seated Nude with Folded Hands Gray + White + touches of Green	1918 Elvira nude torso Gray + White	1918 Woman in black Gray + White + touches of Green

1918 Woman Gray + White	1918 Servant Girl Gray + White	1918 Girl White

1919 Woman Gray + White + touches of Green	1918 Mme. Zborowska Gray + White + touches of Green	1919 woman Gray

1917 Leopold Zborowski Gray	1919 Jeanne loose hair Gray + White	1919 Hanka seated arm on chair Gray + White

1919 Man with monocle (Bidou) Gray + White + touches of Green	1919 Young woman in blue Gray	1919 Seated woman blue blouse Gray + White

1918 Jeanne with a yellow sweater Gray + White	1919 Lunia White of the door?
ORANGE / OCHRE (May 1919 to 1920 death / 9 months?) Once returned from the south (May 1919) they decided to paint it again in orange/ochre. Not all the walls, some of them, green and gray in some walls continued. Many mixed green/gray/orange/ochre walls

1917 Jeanne hebuterne with hat Gray + Orange + Ochre	1917 Léon Bakst Gray + Ochre or wood?	1917 Hanka Zborowska Gray + Orange + Ochre + White

1917 Louise Gray + White of the door?	1917 Woman Gray + Ochre + White	1917 Woman Ochre + White

1917 The italian woman Ochre + White	1917 Hanka Zborowska Ochre + White	1918 Woman with black eyes Ochre + White of the door?

1918 Jeanne looking front Ochre + Gray	1918 Jeanne half turned to the right Gray + touches of Ochre	1918 Jeanne in profile Ochre

1918 Jeanne seated in an armchair Ochre	1918 Jeanne seated in profile with dark dress Ochre + White of the door?	1918 Jeanne seated with the arm resting in the back of the chair Gray + Wood of the door and touches of Ochre

1918 Jeanne Hébuterne head Ochre + White of the door?	1918 Jeanne seated in profile with white dress Ochre + White of the door?	1918 Léopold Zborowski Gray + Green + Ochre
Among this paintings we have to consider he went to the South so probably some of the backgrounds may come from his residence there. I would bet for the ones with orange almost pink mixed with green and white backgrounds.

1919 Jeanne seated, yellow jumper Gray + Green + Ochre

1918 Seated boy with stripes shirt Gray + White of the door?	1918 Girl in a Sailor's Blouse Gray + Green + Ochre	1919 Jeanne in shirt Gray + Green + White + touches of Ochre

1918 Red Necklace (Mme. Verdou) White + Ochre	1918 The Zouave White + Ochre

1918 Jeanne seated looking front White + Ochre + Orange	1917 Jeanne Hebuterne with large hat Gray + Orange	1918 Seated men White + Orange

1919 Jeanne, hand on shoulder White +Green/Ochre + Orange almost Pink	1919 Jeanne with hat White +Green/Ochre + Orange almost Pink	1919 Jeanne with foulard White +Green/Ochre + Orange almost Pink

1919 Girl seated with loose hair White +Green/Ochre + Orange almost Pink	1919 Man with a pipe (the Notary of Nice) Green + Orange almost Pink	1918 The italian Green/Ochre + Orange almost Pink

1919 Léopold Zborowski seated Ochre + White of the door ?	1919 Léopold Zborowski Bust Ochre + White of the door, Black of the door open? + Gray	1919 Jeanne at a sofa Ochre + White of the door, Black of the door open? + Gray

1919 Polish woman Ochre + White	1919 Student Green/Ochre + White	1919 Morgan Rusell Ochre + White of the door ?

1917 Jeanne Hebuterne with necklace Orange + Wood or Ochre?

1917 Victoria Orange + Wood or Ochre?	1918 Mme. Amédee Orange + Wood or Ochre? It could also be a White window painted by night?	1919 Sel-fportrait Orange + Ochre +White
This are his final paintings and it seems that he moved the studio to the outside of his aprtment, too many doors , but if you see the 3 paintings up the background is too similar...

1919 Wood + Gray	1919 Seated boy with cap Wood + Gray	1919 Boy with cap Ochre + Wood + Green or Gray?

1919 Marios Varvoglis Wood + Green? + Ochre	1919 Thora Klinckowstrom Wood + Orange + Ochre	1919 Jeanne seated in front of door Wood + Green? + Ochre

1919 Seated Woman (the flower vendor) Wood + Green + Ochre	1919 Woman head (the flower vendor) Wood + Green + Ochre ?	1919 Seated woman with baby Wood + Green? + Ochre

1919 Annie Bjarn Wood + Green? + Ochre	1919 Annie Bjarn Wood + Green+ Orange + Ochre	1919 Paulette Jourdain Red + Wood + Orange
		This is the only clean (real colors, no rusty varnish) in this period, that could explain the bright red and orange in oposition to the rest of the paintings. Probably the rest have the same or very similar colors

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