secretmodigliani.com
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Date | 1913 ? | ||||||||||||||||||||||||
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Title | Caryatid - standing caryatid - Caryatid frontal view | ||||||||||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||||||||||
Size | 80 x 45.8 cm ( Ceroni 81 x 45 - Pfannstiel 82 x 46 - Parisot 81 x 46 - Patani, Restellini 81 x 45 ) | ||||||||||||||||||||||||
Signature: | Unsigned | ||||||||||||||||||||||||
Actual Location | Private Collection ? | ||||||||||||||||||||||||
Provenance |
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Bibliography | -?- (Decrooq in p. 184 on Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 by error say is nº 27 in Pfannstiel and is NOT) Werner, Amedeo Modigliani, Cercle d'art, Paris,1968, p. 80 Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 37 Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR Paris, 1987, p.64 Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 3/1913 (incorrect provenance and exhibitions/bibliography mixed with previous number) Patani, Catalogo Generale, Leonardo ed. Milano 1991-94 - nº 40 (incorrect provenance) Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 64 - nº 16 Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, p.142-143, nº 12 Exh. cat. Royal Academy of Arts, Modigliani and His Models, 2006, nº 2, p.78 (incorrect size: 81 x 45 cm) Soto Caba, Modigliani, the timeless face, Libsa, 2007 Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 32 New York, The Jewish Museum, Modigliani unmasked, 2018 Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 57 in process |
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Exhibitions | -?- (Decrooq in p. 184 on Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 by error say -Milano, Associazione fra gli amatori e i cultori delle arti figurative contemporanee, 1946 - nº 1 but is not same work in the catalogue) Paris, Musée National d'Art Moderne, Collection André Lefèvre, 1964 - nº 205 New York, Hirschl & Adler Galleries, Modigliani Retrospective, 1973 - nº 67 (dated 1912) Basel, Galerie Beyeler, Nudes, Nus, Nackte, June - October 1984 - nº 51 (illustrated; dated 'circa 1912') Martigny, Fondation Pierre Gianadda, Modigliani, 1990 - nº 29 Dusseldorf, Kunstsammlung Nordrhein-Westfalen, Amedeo Modigliani: Malerei, Skulpturen, 1991 - nº 11 Zürich, Kunsthaus, Amedeo Modigliani: Malerei, Skulpturen, 1991 - nº 11 Tokyo, Musée Tobu, Exposition Amedeo Modigliani au Japon, 1992 - nº 9, p. 70 (with incorrect provenance) Kyoto, Musée Daimaru,Exposition Amedeo Modigliani au Japon, 1992 - 1993 - nº 9, p. 70 (with incorrect provenance) Osaka, Musée Daimaru d'Umeda, Exposition Amedeo Modigliani au Japon,1993 - nº 9, p. 70 (with incorrect provenance) Ibaraki, Musée d'Art Moderne, Exposition Amedeo Modigliani au Japon,1993 - nº 9, p. 70 (with incorrect provenance) Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 9 Paris, Musée d'Art Moderne de la Ville de Paris, L'École de Paris 1904-1929, la Part de l'Autre, 2000 - 2001, p. 173 Paris, Modigliani: l'Ange au visage grave, Musée du Luxembourg, 2002 - nº 12 Milan, Palazzo Reale,Modigliani: The Melancholy Angel, 2003 - nº 11 London, Royal Academy of Arts, Modigliani and His Models, 2006 - nº 2 Moscow, Meeting Modigliani, Pushkin State Museum of Fine Arts, 2007 - nº 16 Bonn, Amedeo Modigliani: Ein Mythos der Moderne, Bundesrepublik, 2009 - nº 25 New York, The Jewish Museum, Modigliani unmasked, 2018 London, Tate Modern, Modigliani, 2017-2018 in process |
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Other | Not in D'Atri papers ? ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
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This page is a work on progress, nothing in this page should be considered as final or definitive. |