to continue is a complete acceptance without reservations of any kind. You can consult the terms in this link.
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 10 | Nº 33 | Nº 10 | YES | 3/1908 | Nº 15 | YES | YES |
- -?-
Paul Alexandre, Paris
Perls Galleries, New York
Private Collection ?
- -?-
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 4
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 10
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 8
Roy , Modigliani, Skira, Lausanne, 1958, p. 25
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 33
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 10
Mann, 1980, page 14
Carluccio, Leymarie, Negri, Russoli, Brunhammer, École de Paris, Rive Gauche, Paris, 1981, p. 198
Modigliani - Gli anni della scultura, Ed. Mondadori, Milan 1984, page 67
Catalogue National Museum Tokyo 1985, n° 3
C. Roy, 1985, Ed. Nathan, page 15
Castieau-Barrielle, Modigliani, Editions ACR Paris, 1987, page 32
Mondadori, Modigliani a Montparnasse, 1988, page 33
Catalogue Galleria d'Arte Moderna, Verona 1988, page 33
Angela Ceroni, Les nus, Paris 1989, page 43
Catalogue Fondation Pierre Gianadda, Martigny 1990, n° 3
Schmalenbach, Amedeo Modigliani, Prestel Verlag, 1990-91, p. 60 - nº 12
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991- n º 3/1908
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 15 - Soto Caba, Modigliani, the timeless face, Libsa, 2007
Ireson/ Lewis, Modigliani, London, Tate Mdern, 2017
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 28
In process
- -?-
Paris, Salon des Artistes Indépendants, 1908 - nº 4326
Bruxelles, Palais des Beaux-Arts, 1933 - n° 4
Livourne, Gli anni della scultura, Villa Maria 1984 - nº 1
Tokyo, Modigliani exhibition, National Museum, 1985 - nº 3
Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985
Verona, Galleria d'Arte Moderna, 1988, p. 33
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 6
Düsseldorf, Kunstsammlung Nordrhein Westfalen, Amedeo Modigliani. Malerei, Skulpturen, 1991 - nº 5
Zürich, Kunsthaus, Amedeo Modigliani. Malerei, Skulpturen, 1991 - nº 5
London, Modigliani, Tate Modern, 2017-2018
In process
Nº 4 and nº 232 in D' Atri files located in Alexandre Collection, Paris
mention that in the back there are many figures, probably he is talking of the frontal image more than from (verso) back of the painting, I have not seen the image from the verso.
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signature:
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As can be seen at near inspection, the canvas is reused:
This is the area of the signature turned 180 degrees, another portrait of a woman is visible, a very common re use of canvas on
the first Modigliani times.