head of a woman ? by Amedeo Modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
NO Nº 667 NO YES 61/16 Nº 105 ? ?
Date 1915 ? (Klein dates in 1916)
Title Woman portrait or Betrice Hastings
Materials Oil and pencil on paper
Size 43 x 27 cm ? (Klein 43.5 x 26.7)
Signature: "modigliani" bottom right
Actual Location Private collection?
Provenance -?-

Doris Baker, New York (1951?)
Perls Galleries, New York (1966 ?)
-?-

In process

Bibliography -?-

T. Soby, Modigliani, Museum of Modern art, New York, catalogue exp. 1951 ( as Portrait of a woman 7 Beatrice Hastings, watercolor and pencil, 17 1/8 x 10 1/2 " - 43.5 x 26.6 cm - lent by Miss Doris Baker, New York)
Werner, Amedeo Modigliani , H. Arams, New York 1966 - p. 34 pl. 41 (as Beatrice Hastings Portrait, Perls Gall. NY)
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990 , p. 71 - nº 23
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 105
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 127 (dated in 1916 and located in Perls Galleries NY)
Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, pl. 126 - dated 1916
Parisot - Laure Modigliani, Catalogue Raisoneé Modigliani / Dessins/Aquarelles Tome III, Ed. Carte Segrete, Milano, 2006 - nº 61/16

In process

Exhibitions -?-

Cleveland, Modigliani: Paintings, Drawings, Sculpture, Cleveland Museum of Art, 1951
New York, Modigliani: Paintings, Drawings, Sculpture, The Museum of Modern Art, 1951
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 142
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 142
Toronto, Modigliani: Beyond the Myth, The Art Gallery of Ontario, 2004 - 2005
Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005

In process

Other
Not in D' Atri papers

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there is an almost identical composition at Private collection.
woman head amedeo modigliani woman head amedeo modigliani


Both parisot and Restellini mentions the provenance of "Antique market" Paris with no more explanation.

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