secretmodigliani.com
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| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 21 | Nº 532 | Nº 35 | YES | 2/1913 | Nº 39 | YES | YES |
Amedeo Modigliani
Paul Alexandre (1929 still in his possesion)
Galerie Berggruen, Paris
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Kunstsammlung Nordrhein-Westfalen, Düsseldorf since 1962
in process
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Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 5
Jedlicka, Modigliani, E. Rentsch, Zürich, 1953, pl. 8
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 21
Roy , Modigliani, Skira, Lausanne, 1958, p. 48
F. Russoli, Amedeo Modigliani, Milano, 1958 p. 22
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 27
Jeanne Modigliani, Modigliani: Man and Myth, Orion Press, New York, 1958, p. 64-75
Roy , Modigliani, Skira, Lausanne, 1958, p. 48
Russoli, Amedeo Modigliani, Exhib. catalogue Palazzo Reale, Edizioni dell'ente manifestazioni Milanesi, Milano, 1958, p. 22
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961, p. 64,75
Catalogue Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1968, p. 54
Werner, Amedeo Modigliani, 1968, p. 42
Musée de Art Moderne de la Ville de Paris, 1968, p. 42
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 532, dated in 1911
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 35
Nakayama, 1974, pl. 3
Schmalenbach, Picasso to Lichtenstein : masterpieces of twentieth-century art from this Nordrhein-Westfalen collection in Düsseldorf, Tate Gallery Publications, 1974 - nº 89, pp.200-201
Musée de Art Moderne de la Ville de Paris, 1981, p. 107, Nº 12
Parisot, Modigliani, caja de pensiones, ed. Poligrafía, Barcelona, 1983, p. 79, nº 8
Jeanne Modigliani, Racconta Modigliani, Graphis Arte 1984, page 225
C. Roy Modigliani, Paris, 1985, p. 49
Tokyo, Modigliani, Orion press, 1989, nº 3
Anna Ceroni, les nus, 1989, p. 44
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 11 - nº 9
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 2/1913
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 39
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p.46
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, p.148-149, nº 15
Klein, Modigliani: Beyond the Myth, Jewish Museum, New York, 2004, p. 102, pl. 17 - dated c. 1911
Soto Caba, Modigliani, the timeless face, Libsa, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p.29
Klein, Modigliani unmasked, Jewish Museum, New York, 2018
in process
Düsseldorf, Kunsthalle, 1963 - nº 54
München, 1972 - nº 1879
London, Picasso to Lichtenstein : masterpieces of twentieth-century art from this Nordrhein-Westfalen collection in Düsseldorf, Tate Gallery, 1974 - nº 89
Tokyo ,Love and Nostalgia for Montparnasse, Daimaru, 1979 - nº 2
Osaka,Love and Nostalgia for Montparnasse , Daimaru, 1979 - nº 2
Liege, Modigliani exhibition. Musée Saint Georges, 1980 - nº 2
Barcelona, Modigliani, Centro Cultural de la Caixa de pensiones,Curated by Christian Parisot, 1983 - nº 8
Madrid, Modigliani, Sala de exposiciones la caja de pensiones, Curated by Christian Parisot, 1983 - nº 8
Paris, Amedeo Modigliani, Musée de Art Moderne de la Ville de Paris, 1981, p. 107 - nº 12
Düsseldorf , Amedeo Modigliani, Art Gallery of Nordrhein-Westfalen 1991 - nº 9
Zurich, Amedeo Modigliani, Kunsthaus, 1991 - nº 9
Paris, Modigliani: l'Ange au visage grave, Musée du Luxembourg, 2002, nº 15
Toronto, Modigliani: Beyond the Myth, The Art Gallery of Ontario, 2004 - 2005
Moscow, Meeting Modigliani, Pushkin State Museum of Fine Arts, 2007
Bonn, Amedeo Modigliani: Ein Mythos der Moderne, Bundesrepublik, 2009 - nº 19
New York, Modigliani unmasked, Jewish Museum, 2018
in process
Nº 209 in D' Atri papers - dated in 1910 located in Alexandre collection in 1929
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This is one of the most interesting paintings to read.
1.- Next to the head of the caryatid there is another head in brown mixed with the background, almost as if it were on the shadows of the front one:
The hair style is absolutelly similar to the ones used in classical greek sculpture showing a more mediterranean aspect instead of african
Turn the image 180º you discover a new painting and a simple glimpse to the egyptian sculptures, an open door to speculation:
Probably he was just on a test... ( or as some "pretentious historian" say it's a Maldoror representation...
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The painting framed at the exhib. Jewish Museum 2018:
