secretmodigliani.com
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Date | 1915 | ||||||||||||||||||||||||
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Title | La Fantesca - The servant | ||||||||||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||||||||||
Size | 81 x 46 cm | ||||||||||||||||||||||||
Signature: | Signed "modigliani" top right | ||||||||||||||||||||||||
Actual Location | Private Collection ? | ||||||||||||||||||||||||
Provenance |
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Bibliography | -?- Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 61 Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 64 Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 232-233 Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, p. 117, pl. 32 Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007 Marini, Modigliani , Skira, France, 2008 - nº 28, p. 62 in process |
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Exhibitions | -?- Paris, Musée National d'Art Moderne, Collection André Lefèvre, 1964 - nº 207 New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, Inc. 1971- nº 7 Prato, Opere di artisti toscani, Galeria d'arte moderna Fratelli Falsetti. 1972 - nº 72 Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 42 Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 - nº 32 Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005 Madrid, Modigliani y su tiempo, Museo Nacional Thyssen Bornemisza, 2008 Tokyo, Modigliani et le primitivisme, The national Art Center, 2008 - n° 26 Osaka, Modigliani et le primitivisme, The national Museum of Art, 2008 - n° 26 in process |
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Other | Not in D' Atri papers? ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Signature of the painting: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Detail of the ears where the drawing is clearly visible and is painted in color ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Restellini mentions in " l'Ange du visage grave" p. 232 that this painting has the same "inspiration"as Antonia: - Just a simple look to the brushwork in close up show they could not be more different: 1.- Antonia is a classical sculptural composition made in color shades with small touches that reminds the macchiaioli style brushwork painters of his youth (look at small green little dots outside the face contour) 2.- Fantesca is a plain color filled composition of black line with almost a null relief brushwork. ------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting framed for auction in Sotheby's in 2009: |
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This page is a work on progress, nothing in this page should be considered as final or definitive. |