Betrice Hastings Head by Amedeo Modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 43 Nº 74 Nº 57 YES 19/1915 Nº 61 YES YES
Date 1915 ?
Title Madame Pompadour / Beatrice Hastings with feathered hat
Materials Oil on canvas
Size 61.1 x 50.2 cm (Klein 60.6 x 49.5)
Signature: Signed "modigliani" bottom right - text "Madam / Pompadour / 1915" center left
Actual Location Art Institute Chicago, Chicago, USA (Inv. Nº 1938.217)
Provenance
  • -?-

    Paul Guillaume (1916-1929)
    Mme. Lederlin (1933)
    Galerie Charpentier (1933 - Lot 134)
    Valentine-Dudensing Gallery, New York, Dec 1937)
    Joseph Winterbotham Collection, Chicago (Acquired from above)

    Sold to the Art Institute (1938)
    Art Institute Chicago, Chicago, USA (Inv. Nº 1938.217)

    in process

Bibliography -?-

Guillaume, Les arts à Paris, December 15, 1918, n.p., nº 3
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 7, nº 5
Sweet, “Modigliani and Chirico,” Bulletin of The Art Institute of Chicago 33, no. 6 (1939), pp. 90–91
Art Institute of Chicago. The Winterbotham Collection (Chicago, 1947), illus. P 31.
Descargues, Amedeo Modigliani. Braun, Paris, 1951, p. 14
San Lazzaro, Modigliani peintures, Les Éditions du Chêne, Paris, 1953, p. 6
Jedlicka, Modigliani, E. Rentsch, Zürich, 1953 , p. 82, pl. 10
Descargues, Amedeo Modigliani, Braun, Paris, 1954, pl. 14
Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1954, pl. 15
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 43
Art and Activities 42, no. 2 (October 1957), p. 26
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958, p. 47, nº 42
Roy , Modigliani, Skira, Lausanne, 1958, p. 56
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 315, 431 
Salmon, Modigliani: A Memoir, New York, 1961, p. 129
Speyer, “Twentieth-Century European Paintings and Sculpture,” Apollo 84, no. 55 (September 1966), p. 225
Diehl, Modigliani, Ed. Flamarion, Paris, 1969, p. 37
Gindertael, Modigliani e Montparnasse, Milan, 1969, pl. IX
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 74
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 57
Fifield. Modigliani. New York, 1976, p. 184
Gindertael, Modigliani e Montparnasse, Milan, 1976, pl. 9
Mann, Modigliani, Thames and Hudson, London, 1980, pp. 109-110, 112- nº 75
Zurcher, Modigliani, Ed. F. Hazan, Paris, 1980 - nº 10
Musée Saint-Georges, Modigliani (Liege, Belgium, 1980), f. 26
 Speyer /Donnell, Twentieth-Century European Paintings , Chicago, 1980, p. 57, pl. 2G12
Carneiro, Modigliani: Paris redescobre o gênio maldito, La Manchete, 1981, pp. 82–85, 87
Prat, Amedeo Modigliani: Justice pour un prince ivrogne, Le Figaro 1981, pp. 104, 106
Carluccio, Leymarie, Negri, Russoli, Brunhammer, École de Paris, Rive Gauche, Paris, 1981, p. 206
Hall, Modigliani, Phaidon, Oxford, 1984, f. 23
Hoog, Catalogue of the Jean Walter and Paul Guillaume Collection,  Editions de la Réunion des musées nationaux, Paris 1984, p. 144
Roy, Modigliani, Nathan, Paris, 1985, pp. 42, 155
Art Institute of Chicago, The Joseph Winterbotham Collection: A Living Tradition (Chicago, 1986), p. 30
Catalogue National Museum Tokyo, 1985
Catalogue Aichi Prefectural Art Gallery, 1985
Benezra, “A Study in Irony: Modigliani’s Jacques and Berthe Lipchitz,” Museum Studies 12, no, 2 (Art Institute of Chicago: 1986), p. 196
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 131
Parisot, Modigliani (Livorno, 1988), ill. opp. p. 130
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990 p.78 - nº 30
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 19/1915
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 61
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 61
Shiff, A Line as Clear and Tensile as a Lightning Flash, Smithsonian 24, no. 10 (January 1994), pp. 64–73, 65
Kruszynski. Amedeo Modigliani: Portraits and Nudes. Munich, 1996, pp. 54, 59, 119
Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, pp.65,67,69 - 202,203
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, nº 35, pp. 214,215
Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, p. 120, pl. 35
Antonova, Modigliani, exh. cat. (Krasnaja Ploscad', 2007), pp. 52; 53, cat. 28
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Marini, Modigliani , Skira, France, 2008 - nº 22, p. 56
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 85

in process

Exhibitions -?-

Paris, 1re exposition: Kisling, Matisse, Modigliani, Ortiz de Zarate, Picasso, Sculptures négres, Lyre et Palette, November 19–December 5, 1916 - nº 13
Paris, Exposition peintres d’aujourd’hui,Galerie Paul Guillaume, December 15–23, 1918 - nº 26
Art Institute of Chicago, The Winterbotham Collection, May 23–June 22, 1947, p. 31
Dallas, The Winterbotham Collection of Twentieth-Century European Paintings, Dallas Museum of Fine Arts, 1949
Cleveland, Modigliani: Paintings, Drawings, Sculpture, Cleveland Museum of Art,1951
New York, Modigliani: Paintings, Drawings, Sculpture, The Museum of Modern Art, 1951
Coral Gables, Fla., Nineteenth- and Twentieth-Century French Painting, University of Miami, Joe and Emily Lowe Art Gallery, 1952 - nº 28
Athens, Georgia, Nineteenth- and Twentieth-Century French Painting, University of Georgia, 1952 - nº 28
Palm Beach, Fla, Amedeo Modigliani 1884–1920, Society of the Four Arts, 1954 - nº 10
Coral Gables, Fla., Amedeo Modigliani 1884–1920, University of Miami, Joe and Emily Lowe Art Gallery, 1954 - nº 11
Houston, Modigliani, Contemporary Arts Museum, 1954 - nº 5
Cincinnati, Amedeo Modigliani: Paintings, Sculpture and Drawings, The Contemporary Arts Center, 1959 - nº 9
Chicago, Amedeo Modigliani: Paintings, Sculpture and Drawings, The Arts Club, 1959
Milwaukee, Amedeo Modigliani: Paintings, Sculpture and Drawings, Milwaukee Art Center, 1959
Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 9
London, Modigliani, Tate Gallery, 1963 - nº 9
Tokyo ,Love and Nostalgia for Montparnasse, Daimaru, 1979 - nº 6
Osaka,Love and Nostalgia for Montparnasse , Daimaru, 1979 - nº 6
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 26
Leningrad, Delacroix to Matisse, Hermitage Museum, 1988 - nº 49
Moscow, Delacroix to Matisse, Pushkin Museum, 1988 - nº 49
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 20
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 20
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002, nº 35
New York, Modigliani: Beyond the Myth, The Jewish Museum, 2004
Toronto, Modigliani: Beyond the Myth, The Art Gallery of Ontario, 2004 - 2005
Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005
Moscow, Meeting Modigliani, Pushkin State Museum of Fine Arts, 2007 - nº 28
London, Modigliani, Tate Modern, 2017-2018

in process

Other
Nº 208 in D'Atri files - dated 1915 - located in Paul Guillaume 1929

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Signature of the painting:

signature


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Detail of the ears where the drawing is clearly visible and is painted in color

ears of madam pompadour



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