secretmodigliani.com
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Date | 1915 ? (Pfannstiel dates in 1916 ) | ||||||||||||||||||||||||
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Title | Young woman head | ||||||||||||||||||||||||
Materials | Oil on cardboard (Pfannstiel oil on canvas - Ceroni oil on paper - Restellini carton marouflé) | ||||||||||||||||||||||||
Size | 35 x 27 cm? (Pfannstiel 34.5 x 26.5 ) | ||||||||||||||||||||||||
Signature: | not visible in images? ( Pfannstiel "modigliani " top right) | ||||||||||||||||||||||||
Actual Location | Private Coll. Geneva? | ||||||||||||||||||||||||
Provenance |
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Bibliography | -?- Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 13 (Located in Bing Coll.) ? Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956, nº 83 ? Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 82 Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 83 - as oil on paper in private collection Geneva Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 180-181 Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007 in process |
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Exhibitions | -?- Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 20 Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 -nº 17 in process |
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Other | ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Detail of the ear where the drawing is clearly visible and is painted in color ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Usually experts give to this painting the number in Pfannstiel but it cant be for 2 simple reasons: 1.- Size in Pfannstiel is 34.5 x 26.5 cm (and this painting has a size of 46 x 38 cm) 2.- Pffanstiel say: Signed in top right ( and this painting is signed in bottom right) ------------------------------------------------------------------------------------------------------------------------------------ Scanning the image and using a gradient filter it does not reveal any clear alteration due to signature only some traces that could be the visible part of the signature or dating in top right corner? ----------------------------------------------- Restellini say this painting is the sketch for this other: MAYBE... Or as he says in his text: " Face at least anonymous, but immediately recognizable: image or, better still, icone, clear face, ocher pink on a dark background, non-drawing look, which allows all identifications" |
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This page is a work on progress, nothing in this page should be considered as final or definitive. |