secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 355 | Nº 419 | Nº 335 | YES | 21/1919 | Nº 347 | YES | YES |
Leopold Zborowski, Paris
M. Baixeras Collection, Paris
Mr. & Mrs. Léon Brillouin Collection, Paris and New York (probably acquired from the above before 1940)
Mr. & Mrs. Sidney F. Brody Collection, Los Angeles (by 1963)
Private Collection, New York (acquired from the above)
Wendell Cherry Collection (acquired from the above on March 13, 1981)
Sale: Sotheby's New York, 04 / November / 2004 - Property from the estate of Wendell Cherry- Lot 23
Estimated: 20.000.000 - 30.000.000 USD - Sold: 31.368.000 USD
(no mention in auction catalogue to Restellini's approval or even mentioned in bibliography)
Lili Safra Collection, London
In process
T. Soby, Modigliani: Paintings, Drawings, Sculpture. Exh. cat., The Cleveland Museum of Art, New York, 1951, p. 50
Raynal, Modigliani, Skira, Genève 1951, pl. 9
Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1952, p. 23
Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1953, pl. 16
T. Soby, Modigliani, Museum of Modern art, New York, catalogue exp. 1954, p. 56
Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1954, pl. 48
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 355 - dated in 1920
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 154
Werner, Amedeo Modigliani , H. Abrams, New York 1966
Lipchitz, Modigliani, 1966
Werner, Amedeo Modigliani, Garzanti, Milano 1967
Werner, Amedeo Modigliani, Cercle d'art, Paris,1968, p. 158
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 419 - dated in 1920
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 335 - dated 1919 - wrong size
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 335 - dated 1919 - wrong size
Arno, New York, 1972, p. 50
Hall, Modigliani, Phaidon, Oxford, 1979
Mann, Modigliani, Thames and Hudson, London, 1980, p. 201
Hall, Modigliani, Phaidon, Oxford, 1984 - nº 48
Werner, Amedeo Modigliani, Harry N. Abrams, New York, 1985, p. 126-127
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 222
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 21/1919 - wrong size 130 x 81 cm - dated 1919 - titled Jeanne Hébuterne
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - wrong size 130 x 81 cm - dated 1919 - titled Jeanne Hébuterne seated in front of a door
Fraquelli, Modigliani and His Models. Exh. cat., Royal Academy of Arts. London, 2006, p. 131 - nº 44
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 178-179 - wrong size 42 x 25 cm ???
In process
?
Madison, Wisconsin Union, University of Wisconsin, 1942
Providence, French Art of the 19th and 20th Centuries, Museum of Art, Rhode Island School of Design, 1942
New York, Amedeo Modigliani, The American British Art Center, 1944
Cleveland, Modigliani - Soutine Exhibition, Cleveland Museum of Art, 1951
New York, Modigliani - Soutine Exhibition, The Museum of Modern Art, 1951
Boston. Modigliani: Paintings and Drawings. Exh. cat., Museum of Fine Arts, 1961 - nº 44
Los Angeles. Modigliani: Paintings and Drawings. Exh. cat., Los Angeles County Museum, 1961 - nº 44
Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 47
London, Modigliani, Tate Gallery, 1963 - nº 47
New York, Modigliani,1972 ?
London, Modigliani and his models, Royal Academy of Arts, 2006 - nº 44
In process
Not in D'Atri papers ?
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Signature of the painting:
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Detail of the ears where the drawing is clearly visible and is painted over the color:
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
The painting framed in location at the Wendell Cherry home in 1963:
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------