secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| NO? | NO | NO | NO? | ? | NO | YES | ? |
Leopold Zborowski, Paris
Hugh Blaker, London (acquired from the above in 1919)
Murray Urquhart, London
Leicester Galleries, London
The Lefevre Gallery, London (acquired in 1966)
David Bakalar, Boston
Private collection
Sale: Matsart Auctioneers and Appraisers - Millon & Associés, Jerusalem, 2 / July / 2013 - Lot 326
Sale Note:
Accompanied by a letter confirming that this work will be included in the forthcoming catalogue raisonné issued by
Wildenstein Institute, signed by Marc Restellini, dated December 3, 2001.
Result: Unsold
In process
?
Urquhart, The Blaker Diary, “Apollo,” n. LXXVIII, 20 /October / 1963, p. 298
Finsen, Modigliani and two Swedish Ladies, “Apollo,” n. LXXXI, February 1965, p. 133
Wykes-Joyce, XIX and XX Century French Paintings, “Arts Review”, 25 November1967, vol. XIX, p. 435
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002 - nº 108, pp. 398-399 - dated November 1919
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 183 - wrong location in Evelyn Sharp Collection (mixed with the provenance of the Thora Klinckowström portrait)
In process
?
London, XIX & XX Century French Paintings, The Lefevre Gallery, 1967 - nº 9
Boston, Museum of Fine Arts, long term loan
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 (curated by Marc Restellini) - nº 108
Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 (curated by Marc Restellini) - nº 73
Tokyo, Modigliani et le primitivisme, The National Art Center, 2008 (curated by Marc Restellini) - n° 61
Osaka, Modigliani et le primitivisme, The National Museum of Art, 2008 (curated by Marc Restellini) - n° 61
South Korea, Amedeo Modigliani and Jeanne Hébuterne, Aram & Harmony Art Museum of Goyang, 2008 (curated by Marc Restellini)
In process
Not in D'Atri papers
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Restellini dates in November 1919
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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)
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There is a Drawing that could be seen as the sketch for this painting at the The Danish Royal Collection of Graphic Art (inv. Nº KKS1959-24)
with the text: "à Mademoiselle Klin(ck)gostreüm / en remerciement et en souvenir. / Modigliani"
