secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 351 | Nº 318 | Nº 286 | YES | Nº 3/1919 | Nº 298 | ? | ? |
Dr. François Brabander, Paris
Lionello Venturi Collection, Paris/Rome (by 1933)
Silbermann Gallery, New York
Henry Pearlman Collection, New York (by 1954)
Gerson Fine arts, New York
Eric Estorick Collection, London
Donated to the Eric and Salome Estorick Foundation (USA), 1993
Estorick Collection of Modern Italian Art, London, United kingdom (Inv. Nº 8)
In process
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 351 - titled M. Brabandier - dated 1919 - wrong size: 46 x 38
Tate Gallery, Modern Italian Art from the Estorick collection, 1957.
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 137
Werner, Amedeo Modigliani, Cercle d'art, Paris,1968, pl. 128
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 318 - titled Portrait of Man / Serusier - dated 1918
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 286 - titled Man head / Monsieur Brabandier? - dated 1919 - wrong size: 46 x 38
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 286 - titled Man head / Monsieur Brabandier? - dated 1919 - wrong size: 46 x 38
Musée de Art Moderne de la Ville de Paris, Modigliani exhib. cat., 1981, p. 154 - nº 77
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 298 - titled Man head / Monsieur Brabandier?- dated 1919
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 3/1919 - titled Monsieur Brabander- dated 1919
Parisot, Modigliani la vita le opere, Carte Segrete / Musée du Montparnase, 2006 - nº 35
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 92 (dated 1918)
In process
Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 71 - titled Monsieur Brabandier - dated 1919
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 62
Palm Beach, Modigliani, Society of the Four Arts, 1954 - nº 16
Miami, Modigliani, Lowe Gallery, 1954 - nº 16
London, Modern Italian Art from the Estorick collection, Tate Gallery, 1956
Plymouth, Modern Italian Art from the Estorick collection, City Museum and Art Gallery, 1957
Birmingham, Modern Italian Art from the Estorick collection, 1957
Berlin, Modern Italian Art from the XXth, Akademie der Kunst, 1957 - nº 98
Hamilton, Regina College, 1958
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 77
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 106
Roma, 1997
Genova 2002 - 2003
Moscow, Meeting Modigliani, Pushkin State Museum of Fine Arts, 2007
Prague, Modigliani, Municipal house, Curated by Christian Parisot, 2010- 2011
Villeneuve d'Ascq, L'oeil intérieur, LaM. Lille Métropole musée d'art moderne, 2016
Budapest, Modigliani, Hungarian National Gallery, 2016
Helsinki, Modigliani, Ateneum Art Museum, 2016-2017
Genova, Modigliani, Palazzo Duccale, 2017
London, Modigliani, Tate Modern, 2017-2018
In process
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Hanka Zborowska, widow of Leopold Zborowski expertized the work for Lionello Venturi, in the back of a photo she informed Venturi that
the painting was made in 1918 and represents his brother in law Doctor Francois Brabandier that sold to Venturi the painting in 1933.
In that expertise, Zborowska say this is the only portrait of his brother in law. (this is why the experts don't relate this portrait to the other)
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Detail of signature:
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Detail of the ears where the drawing in orange line is clearly visible and is detailed in color
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The sitter, Known as Dr. Brabandier seem to be the same person as in the portrait of Cerusier:
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The painting framed at the Estorick Collection of Modern Italian Art, London, United kingdom in 2018
