secretmodigliani.com
Image Courtesy of LACMA
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| NO? | Nº 384 | Nº 316 | YES | YES | Nº 328 | YES | YES |
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Leopold Zborowski, Paris
Dutilleul Collection, Paris
J. Doucet Collection, Paris
A. Lefèvre Collection, Paris
Hammmer Galleries, New York ( in 1954)
Patani: Sale Palais Galliera, Paris - 25 / 11 / 1965?
Armand Hammer Collection, Los Angeles
Los Angeles County Museum of Art, Los Angeles, California, USA (Inv. Nº M.68.46.2)
Frances and Armand Hammer Purchase Fund (M.68.46.2)
In process
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Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1954, p. 80 - titled La Fille du peuple - dated 1918 - Hammer Galleries New York
San Lazzaro, Modigliani-Portraits, Hazan, Paris, 1957 - nº 4 - titled Daughter of the people
San Lazzaro, Modigliani portraits, Tudor Publishing, New York, 1957, pl. 4
Roy , Modigliani, Skira, Lausanne, 1958, p. 80 - titled working girl - dated 1918 - private collection, Paris
Ponente,
Modigliani, Ed. Toray, Barcelona, 1969 - nº 55
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 384 - titled Youn woman (la fille du peuple) - dated Nice 1919
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 316 - titled Dark haired woman seated in front of a bed (Germaine Lable) - dated 1919 - size 102 x 65
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 316 - titled Dark haired woman seated in front of a bed (Germaine Lable) - dated 1919 - size 102 x 65
Donahue, Los Angeles County Museum of Art Handbook., Los Angeles, Los Angeles County Museum of Art, 1977
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 132 - nº 80 - dated 1918
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 328 - titled Dark haired woman seated in front of a bed (Germaine Lable) - dated 1919 - size 102 x 65
Kruszynski. Amedeo Modigliani: Portraits and Nudes. Munich, 1996, p. 78
Parisot, Amedeo Modigliani, 1884-1920 : itinéraire anecdotique entre France et Italie, ACR edition, 1996, p. 149
Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, p. 108 - nº 31 - titled Young woman of the people - dated 1918 - size 100 x 64.5
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, p. 51 - dated 1918
Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, p. 140 - nº 56 - titled Young woman of the people - dated 1918 - size 100 x 64.5
López Blázquez, Modigliani, Polìgrafía, Barcelona, 2005, p. 51 - titled Daughter of the people - dated 1919
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Muchnic, LACMA So Far: Portrait of a Museum in the Making, San Marino, Huntington Library, 2015
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 171 - dated 1918
King, Centeno, Duvernois, Fronek, Townsend, The Modigliani Technical Research Styudy, Modigliani in the South of France, The Burlington Magazine, CLX, London, May 2018, pp. 394-399 - dated 1918 - size 100.3 x 65.1
In process
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Paris, Modigliani, Galerie Bing et Cie, 1925 - nº 12
Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 72 (titled "la fille du peuple" - dated 1919)
Basel, Amedeo Modigliani, Kunsthalle, 1934 ?
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Memphis, The Armand Hammer Collection, Brooks Memorial Art Gallery, 1969
New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, 1971 - nº 50 (dated 1919)
Palm Beach, The Armand Hammer Collection Five Centuries of Masterpieces, Norton Gallery of Art, 1981
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 85
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 85
Buffalo NY, Modigliani and the artists of Montparnasse, Albright-Knox Gallery, 2002-2003 - nº 31
Fort Worth, Modigliani and the artists of Montparnasse, Kimbell art Museum, 2003 - nº 31
Los Angeles, Modigliani and the artists of Montparnasse, Los Angeles County Museum of Art, 2003 - nº 31
Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005
London, Modigliani, Tate Modern, 2017-2018
In process
Nº 72 in D' Atri papers as la fille du peuple) - 61 x 46 - dated 1919 - Provenance in Zborowski Collection, Paris ( in 1929)
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Signature:
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Detail of the ear where the drawing is clearly visible and is painted in color
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This painting was part of the Modigliani technical research study in 2018
Extract from:
The Modigliani technical research study "Modigliani in the South of France"
King, Centeno, Duvernois, Fronek, Townsend, T
Burlington Magazine CLX - May 2018, pp. 394-399
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In this painting the identification of the pigments is:
1.- Chrome yellow (Chromium and cadmium based)
2.- Lead and Zinc white
3.- Vermilion
4.- Ochre
5.- Prussian blue
6.- Bone black (or ivory black?)
7.- Chrome Orange? (barium observed)
General Museum technical studies have reached the conclusion that is a very short palette, a simple range made with pre industrial oils (non artisan, but small scale industrial oils).
in the background preparation:
1.- Lead white and probably Calcium based white
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The background of this painting is repeated in another painting:
The same bed is also present in this painting:
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The painting framed at London, Modigliani, Tate, 2017-2018:
