
Jeanne Hébuterne Seated (sketch)
Oil on cardboard, 1919?
Identification
- Published titles
- English: Jeanne Hébuterne Seated (sketch); Jeanne Hébuterne Seated in a White Shirt.
- Date
- 1919, unconfirmed. The verso inscription dates the sketch 1919.
- Medium
- Oil on cardboard.
- Dimensions
- Not recorded in this investigation.
- Signature
- Signed modigliani at top right.
- Present location
- Private collection?
- Verso
- Inscription: « Caro amico Durini, questo bozzetto è stato dipinto da Amedeo Modigliani nel 1919 », signed Zborowski.
Catalogue numbers
| Compiler | Number |
|---|---|
| Arthur Pfannstiel | NO |
| Joseph Lanthemann | NO |
| Ambrogio Ceroni | NO |
| Jeanne Modigliani | NO |
| Christian Parisot | ? |
| Osvaldo Patani | NO |
| Modigliani Project | ? |
| MR | ? |
| Modigliani Initiative | ? |
Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.
Provenance
- Léopold Zborowski, Paris.
- Private collection?
The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.
Selected bibliography
Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.
- No book-length catalogue entry is recorded in this investigation.
Exhibitions
- No exhibition is recorded in this investigation.
Notes
Not listed in the D’Atri papers.
A Venice court declared the sketch an original work by Modigliani. This investigation asks whether it is a study for a larger seated Jeanne Hébuterne and notes a comparison with radiographs of related compositions.
The original page of this investigation marked several fields as still being checked. The facts above are those already published; where the sources disagree, both readings are given.