
Hanka Zborowska Leaning on a Chair
Oil on canvas, 1919
Identification
- Published titles
- English: Hanka Zborowska Leaning on a Chair; Madame Z.
French: La Zborowska. - Date
- Pfannstiel dates the work 1918. Ceroni, Lanthemann, Parisot and Patani date it 1919.
- Medium
- Oil on canvas.
- Dimensions
- 92.1 × 54.3 cm (museum). Several catalogues give 91 × 54 cm.
- Signature
- Signed modigliani at top right.
- Present location
- Barnes Foundation, Philadelphia (inv. BF375).
Catalogue numbers
| Compiler | Number |
|---|---|
| Arthur Pfannstiel | no. 300 |
| Joseph Lanthemann | no. 402 |
| Ambrogio Ceroni | no. 313 |
| Jeanne Modigliani | YES |
| Christian Parisot | no. 23/1919 |
| Osvaldo Patani | no. 325 |
| Modigliani Project | ? |
| MR | ? |
| Modigliani Initiative | ? |
Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.
Provenance
- Léopold Zborowski, Paris.
- Bernheim-Jeune, Paris, acquired 31 January 1921, inv. 22488.
- Paul Guillaume, Paris, acquired 30 December 1922 for 6,000 francs.
- Albert C. Barnes Collection, Philadelphia, by 1922.
- Barnes Foundation, Philadelphia (inv. BF375).
The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.
Selected bibliography
Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.
- Mary Mullen, An Approach to Art, Merion, The Barnes Foundation Press, 1923.
- Arthur Pfannstiel, 1929 presumed catalogue, p. 49.1
- Arthur Pfannstiel, 1956, no. 300, as Mme Zborowska, dated 1918, size 91 × 54 cm.2
- Joseph Lanthemann, 1970, no. 402, as La Zborowska (leaning on a chair), dated 1919.3
- Ambrogio Ceroni and Leone Piccioni, 1970, no. 313, dated 1919.4
- Christian Parisot, 1991, no. 23/1919.5
- Osvaldo Patani, 1991–94, no. 325.6
Exhibitions
- Paris, Galerie Bernheim-Jeune, Modigliani, 1922, no. 2, as Madame Z.
- Venice, XIII Biennale, Sala XII, 1922, no. 1 (163666).
- Philadelphia, Pennsylvania Academy of the Fine Arts, Contemporary European Paintings and Sculpture, 1923.
- This investigation states that the painting has not left the Barnes Foundation since the 1923 Philadelphia exhibition.
Notes
Not listed in the D’Atri papers?
This investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.
Footnotes
- Arthur Pfannstiel, Modigliani. L’Art et la Vie, preface by Louis Latourette, Paris, Seheur, 1929 (presumed catalogue).
- Arthur Pfannstiel, Modigliani et son œuvre, étude critique et catalogue raisonné, Paris, Bibliothèque des Arts, 1956.
- Joseph Lanthemann, Modigliani, catalogue raisonné: sa vie, son œuvre, son art, Barcelona, G. Condal, 1970.
- Ambrogio Ceroni and Leone Piccioni, I dipinti di Modigliani, Milan, Rizzoli, 1970.
- Christian Parisot, Catalogue raisonné Modigliani, Livorno, Graphis Arte, 1991.
- Osvaldo Patani, Modigliani. Catalogo generale, Milan, Leonardo, 1991–94.