secretmodigliani.com
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Date | 1919 ? | ||||||||||||||||
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Title | Jeanne Hébuterne with a yellow sweater - Woman in sweater | ||||||||||||||||
Materials | In process | ||||||||||||||||
Size | 54.5 x 92.3 cm (Restellini 54.5 x 93) | ||||||||||||||||
Signature: | Signed "modigliani " top right in green | ||||||||||||||||
Actual Location | Ohara Museum of Art, Ohara Museum of Art, Kurashiki, Japan | ||||||||||||||||
Provenance | -?- ? Leopold Zborowski, Paris Paul Guillaume, Paris Mme. Walter, Paris (inheritance from above) A. Juviler Collection, New York (until 1972?) ? Acquavella Galleries, New York Minami Gallery, Tokyo Ohara Museum of Art, Ohara Museum of Art, Kurashiki, Japan In process |
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Bibliography | -?- |
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Exhibitions | -?- ? Paris, la grande peinture contemporaine à la collection Paul Guillaume, Galerie Bernheim-Jeune, 1929 New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, 1971 - nº 42 (dated 1918 - Juviler Collection) Tokyo, Modigliani exhibition, National Museum, 1985 - nº 111 Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985 - nº 111 Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 111 Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 (curated by Marc Restellini) - nº 102 In process |
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Other | Nº 217 in D'Atri papers as Portrait of Mme. Hebuterne - 92 x 54 dated Paris 1917 - Guillaume collection ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- This painting presents holes in the 4 corners - 2 covered ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Signature of the painting: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting presents clear fingerprints in 3 of the borders of the canvas (in the green fresh oil) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting changes after cleaning, the blues turned out to be green once the yellow oxidated layer was retired. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Another 3 similar portraits of the same sitter dressed the same: Dated in 1918: Dated in 1919: - |
This page is a work on progress, nothing in this page should be considered as final or definitive. |