Jeanne Hébuterne in a yellow sweater

Oil on canvas, 1919?

Date1919?
MediumOil on canvas
Size92.3 × 54.5 cm
CollectionOhara Museum of Art
SignatureTop right, in green
Investigation1919-w-2

Identification

Published titles
English: Jeanne Hébuterne with a yellow sweater / Woman in a sweater / Jeanne Hébuterne seated with sweater.
Date
1919 in Lanthemann, Ceroni, Parisot and Patani. Pfannstiel dates the canvas late 1918 / early 1919. Lanthemann specifies Nice.
Medium
Oil on canvas.
Dimensions
92.3 × 54.5 cm (height × width; Ohara / published reproductions). An earlier reading in this investigation reversed the two figures. MR gives 54.5 × 93 cm, which appears to use the same reversed order. Pfannstiel gave 92 × 64 cm.
Signature
Signed modigliani at top right, in green.
Present location
Ohara Museum of Art, Kurashiki, Japan.

Catalogue numbers

Compiler Number
Arthur Pfannstielno. 289
Joseph Lanthemannno. 339
Ambrogio Ceronino. 328
Jeanne ModiglianiYES
Christian Parisotno. 10/1919
Osvaldo Patanino. 340
Modigliani Project?
MRYES
Modigliani Initiative?

Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.

Provenance

  1. Léopold Zborowski, Paris.
  2. Paul Guillaume, Paris.
  3. Mme Walter, Paris (by descent from Guillaume).
  4. A. Juviler Collection, New York (until 1972?).
  5. Acquavella Galleries, New York.
  6. Minami Gallery, Tokyo.
  7. Ohara Museum of Art, Kurashiki.

The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.

Selected bibliography

Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.

Exhibitions

Notes

D’Atri papers no. 217, as Portrait of Mme Hébuterne, 92 × 54 cm, dated Paris 1917, Guillaume collection.

Holes are visible at the four corners; two are covered.

Fingerprints in fresh green oil are recorded on three edges of the canvas.

After cleaning, passages that had appeared blue read as green once a yellowed surface layer was removed.

This investigation compares three related portraits of the same sitter in the same sweater, dated 1918 and 1919.

The documentation assembled for this investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.

Jeanne Hébuterne in a yellow sweater
The painting. Reproduction published in the documentation assembled for this investigation.
Signature in green
Signature at top right.
After cleaning
Surface appearance after removal of a yellowed layer.

Footnotes

  1. Arthur Pfannstiel, Modigliani. L’Art et la Vie, preface by Louis Latourette, Paris, Seheur, 1929 (presumed catalogue).
  2. Arthur Pfannstiel, Modigliani et son œuvre, étude critique et catalogue raisonné, Paris, Bibliothèque des Arts, 1956.
  3. Ambrogio Ceroni, Amedeo Modigliani: peintre; suivi des souvenirs de Lunia Czechowska, Milan, Edizioni del Milione, 1958.
  4. Joseph Lanthemann, Modigliani, catalogue raisonné: sa vie, son œuvre, son art, Barcelona, G. Condal, 1970.
  5. Ambrogio Ceroni and Leone Piccioni, I dipinti di Modigliani, Milan, Rizzoli, 1970.
  6. Christian Parisot, Catalogue raisonné Modigliani, Livorno, Graphis Arte, 1991.
  7. Osvaldo Patani, Modigliani. Catalogo generale, Milan, Leonardo, 1991–94.
  8. MR, Modigliani: l’ange au visage grave, Paris, Musée du Luxembourg, 2002.
  9. MR, Le Silence éternel: Modigliani–Hébuterne 1916–1919, Paris, Pinacothèque de Paris, 2008.