secretmodigliani.comImage Courtesy of the Metropolitan Museum of Art
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Date | 1919 ? | ||||||||||||||||
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Title | Jeanne Hébuterne - Undressed in a chair - Jeanne Hébuterne seated in white shirt - Hébuterne seated - Mme. Hébuterne Seated - Young girl in shirt - Mme. H - Young girl in loose shirt - Jeanne Hébuterne with finger in cheek | ||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||
Size | 91.4 x 73 cm (Ceroni, Patani 92 x 73 - 1963 exhibit 95 x 73) | ||||||||||||||||
Signature: | Signed "modigliani" top right | ||||||||||||||||
Actual Location | Metropolitan Museum of Art, New York, USA (Inv. nº 56.184.2) | ||||||||||||||||
Provenance | -?- ? Leopold Zborowski, Paris Libaude Collection, Paris Bing Gallery, Paris (1925) B. Reichenbach Collection, Paris (1925 to 1937) Sale; Hotel Drouot, Paris, June / 3 /1937 - Lot 18 Sold: 30.000 FF Georges Hyordey Collection, Paris (1937 to 1951) Bing Gallery, Paris (1951) Jacques Lindon Collection, New York, (acquired from above in 1951) Nate B. Spingold Collection, New York, (acquired from above in September / 26 / 1951 to 1956) Metropolitan Museum of Art, New York, USA (Inv. nº 56.184.2) Gift of Mr. and Mrs. Nate B. Spingold, 1956 In process |
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Bibliography | -?- |
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Exhibitions | -?- ? London, Amedeo Modigliani, Arthur Tooth & Sons, 1938 - nº 20 Paris, Modigliani Peintures, Galerie de France, 1945-46 - nº 30 New York. Collectors' Choice: Masterpieces of French Art from New York Private Collections, Paul Rosenberg & Co. , 1953 - nº 26 New York, The Nate and Frances Spingold Collection, The Metropolitan Museum of Art, 1960 Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 45 London, Modigliani, Tate Gallery, 1963 - nº 45 Waltham, Mass., Nate B. and Frances Spingold Collection, Dreitzer Gallery, Spingold Theater, Brandeis University , 1965 Tokyo, Modigliani exhibition, National Museum, 1985 - nº 124 Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985 - nº 124 Canberra, 20th Century Masters from The Metropolitan Museum of Art, New York, Australian National Gallery, 1986 Brisbane, 20th Century Masters from The Metropolitan Museum of Art, New York, Queensland Art Gallery, 1986 London, Italian Art in the 20th Century: Painting and Sculpture 1900–1988, Royal Academy of Arts, 1989 - nº 64 Munich, Italian Art in the 20th Century: Painting and Sculpture 1900–1988, 1989 - nº 64 Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 88 Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 88 New York, Painters in Paris: 1895–1950, The Metropolitan Museum of Art, 2000-2001 Venice, Modigliani e i suoi: Jeanne Hébuterne, André Hébuterne, Georges Dorignac, Amedeo Modigliani, Fondazione Giorgio Cini, 2000 - nº 142 Kyoto, Picasso and the School of Paris: Paintings from The Metropolitan Museum of Art, New York, Kyoto Municipal Museum of Art, 2002 - nº 35 Tokyo, Picasso and the School of Paris: Paintings from The Metropolitan Museum of Art, New York, unkamura Museum of Art, 2002-2003 - nº 35 New York, Modigliani: Beyond the Myth, The Jewish Museum, 2004 Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005 London, Modigliani and his models, Royal Academy of Arts, 2006 - nº 38 Houston, The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920, Museum of Fine Arts, Houston, 2007 - nº 131 Berlin, Französische Meisterwerke des 19. Jahrhunderts aus dem Metropolitan Museum of Art, New York, . Neue Nationalgalerie , 2007 Bonn, Amedeo Modigliani: Ein Mythos der Moderne, Bundesrepublik Deutschland, 2009 - nº 117 London, Modigliani, Tate Modern, 2017-2018 In process |
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Other | Not in D'Atri papers. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Signature: Image Courtesy of the Metropolitan Museum of Art ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Image Courtesy of the Metropolitan Museum of Art ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- This painting was part of the Modigliani technical research study in 2018 Extract from: The Modigliani technical research study "Modigliani’s late portraits" Bezur, Campos, Centeno, Duvernois, Josenhans, Londero, Gonçalves, Rizzuto, Schwarz Burlington Magazine CLX - May 2018, pp. 400-4007 ------------------------------------ In this painting the identification of the pigments is: 1.- Chrome yellow or Chrome Orange (orange requires further study to contrast presence) 2.- Lead and Zinc white 3.- Vermilion 4.- Ochre 5.- Prussian blue 6.- Bone black 7.- Emerald green General Museum technical studies have reached the conclusion that is a very short palette, a simple range made with pre industrial oils (non artisan, but small scale industrial oils). in the background preparation: 1.- Barium white and lead white ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting in location at the MET Museum: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- A Venezia court declared this little sketch as original by Modigliani, it would be the sketch for the larger composition? - Similar to what we can see in the X-ray of the Burgundian & the Jeanne Hébuterne in bed? |
This page is a work on progress, nothing in this page should be considered as final or definitive. |