secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 245 | Nº 366 | Nº 290 | YES | 7/1919 | Nº 302 | YES | ? |
?
Leopold Zborowski, Paris
Netter Collection, Paris
Private Collection, Paris?
(Netter inheritance)
In process
-?-
?
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 39
Franchi, Modigliani, Arnaud, Firenze, 1944, pl. 18
Exh. Cat. Associazione fra gli amatori e i cultori delle arti figurative contemporanee, Milano, 1946
Franchi, Modigliani, Arnaud, Firenze, 1947, pl. 23
Exhib. catalogue, Paris, Musée National d'Art Moderne, Paris, 1950, pl. 8
Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1954, pl. 63
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 245 - titled Landscape of the Midi - dated 1918 - Possible wrong size?
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 99 - Possible wrong size?
Russoli, Amedeo Modigliani, Silvana Editoriale d'Arte, Milano, 1958, pl. 32
Exhib. catalogue, Marseille, Modigliani, Musée Cantini, 1958, pl. 15
Werner, Amedeo Modigliani , H. Abrams, New York 1966, p. 120
Werner, Amedeo Modigliani, Cercle d'art, Paris,1968, p. 128
Geza, Modigliani, Budapest, Corvina Kiadó, 1969, pl. 42
Crespelle. Modigliani, les femmes, les amis, l’oeuvre, Presses de la Cité, Paris, 1969
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 366 - titled Landscape of Cagnes - dated 1918 - Possible wrong size?
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 290 - titled Tree and houses - dated 1919 - Possible wrong size?
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 292- titled Tree and houses - dated 1919 - Possible wrong size?
None, Modern Art,
Peebles Art Library, New York, 1974, p. 34
Diehl, Modigliani, Ed. Flamarion, Paris, 1977, p. 61
Musée de Art Moderne de la Ville de Paris, Modigliani exhib. cat., 1981, p. 115 - nº 79
Hall, Modigliani, Phaidon, Oxford, 1984 - nº 42
Roy, Modigliani, Nathan, Paris, 1985, p. 136
Werner, Amedeo Modigliani, Harry N. Abrams, New York, 1985, pp. 100-101 - titled Landscape in the Midi - dated 1918
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 193
Orion Press, Tokyo, 1989 - nº 56
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 302 - titled Tree and houses - dated 1919 - Possible wrong size?
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 7/1919 - titled Tree and houses (Cagnes sur mer) - dated 1919 - Possible wrong size?
Krystof, Amedeo Modigliani: The Poetry of Seeing, Taschen, Cologne,1996, 2000, p. 85
Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999, p. 131 - nº 64 - titled Tree and houses (Cagnes sur mer) - dated 1919 - Possible wrong size?
Note: in this exhibit the catalogue f painting was done by Decrooq usual collaborator of Marc Restellini and the size given is 55 x 46
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, p. 346-347 - nº 84 - titled Tree and houses - dated 1919 - Size 57 x 45
Note: I do not trust his size, but there is one option he is right and all the rest wrong or he is wrong and all the rest right...
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 137 - titled Tree and houses - dated 1919 - Size 57 x 45
Note: I do not trust his size, but maybe he is right and all the rest wrong or he is wrong and all the rest right...
In process
?
Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930 - nº 18
Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 16
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 8
Paris, Musée National d'Art Moderne, Paris, 1950, pl. 8
Paris, Cent Tableaux de Modigliani, Galerie Charpentier, 1958 - nº 84 - dated 1918
Marseille, Modigliani, Musée Cantini, 1958 - nº 29
Liege, Modigliani exhibition. Musée Saint Georges, 1980 - nº 42
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 79
Lausanne, Modigliani, Utrillo, Soutine, Les peintres de Zborowski et leurs amis, Fondation de L'Hérmitage, 1994 - nº 22
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 64
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 84
In process
Nº 16 in D'Atri papers as Landscape, 55 x 46 located in Netter Collection.
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
This Painting is an absolute rare example, it presents a double signature really interesting:
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
This is the only painting in all the Modigliani's oeuvre where we can see he made a sketch using a squared background, maybe he painted it from a photo
or in a Venetian Vedutista style?
There in no real information about it and no expert has even noticed previously, but in the thin oil layer areas, the pencil squares can be easily seen.
