secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 348 | Nº 352 | Nº 284 | YES | YES | Nº 297 | ? | ? |
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Amedeo Modigliani
Rachel Osterlind, Cagnes 1919
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J. Hessel Collection, Paris (1925)
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Galerie Marcel Bernheim, Paris
Private Collection, Paris
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In process
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Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 348 - titled Portrait of a young girl - dated 1919 (reproduced in catalogue, pl. 40)
Modigliani J. , Modigliani: Man and Myth, Orion Press, New York, 1958, pl. 61 - titled Rachel Osterlind - dated 1919
Salmon, Modigliani a memoir, Putnam's sons, New York, 1961, p. 105
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961, pl. 31
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 352 - titled Rachel Osterlind, Cagnes - dated 1919
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 284 - titled Rachel Osterlind - dated 1919
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 284 - titled Rachel Osterlind - dated 1919
Mann, Modigliani, Thames and Hudson, London, 1980, p. 185
Musée de Art Moderne de la Ville de Paris, Modigliani exhib. cat., 1981, p. 153 - nº 76
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 297 - titled Rachel Osterlind - dated 1919
Parisot, Modigliani, Fondazione Italiana Accenture, 2007, p. 13
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 166
In process
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Tokyo, 1929
Nagasaky, 1929
Paris, Modigliani retrospective, Marcel Bernheim (Galerie Bernheim-Jeune), 1931
Paris, Cent Tableaux de Modigliani, Galerie Charpentier, 1958 - nº 80 - dated in 1918
Roma, Modigliani, Galleria Nazionale d'Arte Moderna, 1959 - nº 47
Frankfurt, Amedeo Modigliani, Steinernes Haus, 1963 - nº 29
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 76
London, Modigliani, Tate Modern, 2017-2018
In process
Not in D'Atri papers?
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Signature of the painting:
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Image of the sitter with the painting on the back:
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The painting framed at the Tate Gallery 2018 exhibition:
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