secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| NO | Nº 409 | Nº 275 | YES | 41/1918 | Nº 289 | ? | ? |
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Leopold Zborowski, Paris
Private Collection, Paris
De Hauke & Co. Inc., New York (by 1929)
?
Ester Robles Gallery, Los Angeles ( by 1961)
Private Collection, Geneva
Sale: Sotheby's 27 / 6 /1989 - Lot 31
Private Collection?
??
In process
?
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 114
Russoli, Amedeo Modigliani, Fratelli Fabbri, Milano, 1963 - nº 9
Gindertael, Shop libre diffusion, 1967, pl. 24, p. 50
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 409 - title Man with the glass of wine (Le Sconezec) dated 1919
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 275 - title Man seated at a table - dated 1918
Zurcher, Modigliani, Ed. F. Hazan, Paris, 1980 - nº 51
Carluccio, Leymarie, Negri, Russoli, Brunhammer, École de Paris, Rive Gauche, Paris, 1981, p. 216
Parisot, Modigliani, il segno, Electa, Florence, 1990, p. 185
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 289 - title Man seated at a table - dated 1918
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 41/1918 - title Man with a glass of wine seated at a table - dated 1918
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 139
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
In process
?
New York, Paintings by Amedeo Modigliani 1884-1920, De Hauke & Co. Inc., 1929 - pl. 9 - title L'homme au verre de vin
Paris, Jacques Seligman and Co. 1929
Boston. Modigliani: Paintings and Drawings. Exh. cat., Museum of Fine Arts, 1961 - nº 26
Los Angeles. Modigliani: Paintings and Drawings. Exh. cat., Los Angeles County Museum, 1961 - nº 26
Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 40
London, Modigliani, Tate Gallery, 1963 - nº 40
Frankfurt, Amedeo Modigliani, Steinernes Haus, 1963 - nº 24
In process
Nº 165 in D'Atri papers - with the provenance in private collection, Paris 1929
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Signature of the painting:
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Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color)
