secretmodigliani.comImage courtesy of the Musée des Beaux Arts, Nancy
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Date | 1918? | ||||||||||||||||
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Title | Portrait of a woman - Brunette woman - Woman bust | ||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||
Size | 65 x 46 cm | ||||||||||||||||
Signature: | Signed "modigliani" in top right | ||||||||||||||||
Actual Location | Musée des Beaux Arts, Nancy, France | ||||||||||||||||
Provenance | -?- ? Leopold Zborowski, Paris Bernheim Jeune Gallery, Paris ? Musée des Beaux Arts, Nancy, France In process |
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Bibliography | -?- ? Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, pp. 44-45 Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 275 - title Bust of young woman - dated 1918 Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 261 Musée de Art Moderne de la Ville de Paris, Modigliani exib. cat., 1981 - pl. 23, pp. 43,44 In process |
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Exhibitions | -?- ? Barcelona, Modigliani, Centro Cultural de la Caixa de pensiones,Curated by Christian Parisot, 1983 - nº 31 Madrid, Modigliani, Sala de exposiciones la caja de pensiones, Curated by Christian Parisot, 1983 - nº 31 In process |
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Other | Not in D'Atri papers ----------------------------------------------------------------------------------------------------------------------------------------------------------------------- Signature of the painting: ----------------------------------------------------------------------------------------------------------------------------------------------------------------------- In the 1981 study conducted by the laboratoires de recherche des Musées de France by Suzy del Burgo and Lola Faillant-Dumas they reached the conclussion that this work is a "forggerie", based on the complete inconsistences of the construction and the non concordance with other works by Modigliani. The Xray revealed the total lack of drawing and the pigment analysis is not coincident with those used by Modigliani. Therefore this work is false far away from any doubt. (Have in mind the provenance in Zborowski / Bernheim Jeune and the 1929 publication by Pfannstiel?) |
This page is a work on progress, nothing in this page should be considered as final or definitive. |