Jeanne Hébuterne seated in an armchair
Oil on canvas, 1918?
Identification
- Published titles
- English: Jeanne Hébuterne seated in an armchair; Mme Hébuterne sur un fauteuil.
- Date
- 1918, unconfirmed.
- Medium
- Oil on canvas.
- Dimensions
- Chiappini / Decrooq (Lugano 1999): 101 × 65.7 cm. Pfannstiel, Ceroni, Parisot and Patani: 92 × 60 cm.
- Signature
- Signed modigliani at top right.
- Present location
- Private collection?
Catalogue numbers
| Compiler | Number |
|---|---|
| Arthur Pfannstiel | no. 337 |
| Joseph Lanthemann | no. 388 |
| Ambrogio Ceroni | no. 218 |
| Jeanne Modigliani | YES |
| Christian Parisot | 1/1918 |
| Osvaldo Patani | no. 227 |
| Modigliani Project | ? |
| MR | YES |
| Modigliani Initiative | ? |
Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.
Provenance
- Léopold Zborowski, Paris.
- J. Dubourg Collection, Paris.
- Subsequent owners not named in this investigation.
The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.
Selected bibliography
Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.
- Arthur Pfannstiel, 1929 presumed catalogue, p. 53.1
- Pierre Descargues, Amedeo Modigliani, Paris, Braun, 1951, pl. 58.
- Arthur Pfannstiel, 1956, no. 337, as Mme Hébuterne sur un fauteuil, dated 1919; size recorded as incorrect in this investigation.2
- Ambrogio Ceroni, 1965, no. 192.3
- Ambrogio Ceroni and Leone Piccioni, 1970, no. 218, dated 1918.4
- Joseph Lanthemann, 1970, no. 388, dated 1918; size recorded as incorrect in this investigation.5
- Osvaldo Patani, 1991–94, no. 227, dated 1918.6
- Christian Parisot, 1991, no. 1/1918.7
- R. Chiappini (ed.), Lugano exhibition catalogue, Skira, 1999, no. 61.
- Nancy Ireson and Simonetta Fraquelli, Tate, 2017.8
Exhibitions
- Philadelphia, 1947? (this investigation, unconfirmed).
- Tokyo, 1966, no. 19? (this investigation, unconfirmed).
- Lugano, Museo d’Arte Moderna, Amedeo Modigliani, 1999, no. 61.
- London, Tate Gallery, Modigliani, 2017.
Notes
This investigation does not record an entry in the D’Atri papers.
This investigation records holes at the corners of the canvas.
This investigation records a drawn ear painted over the colour.
This investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.
Footnotes
- Arthur Pfannstiel, Modigliani. L’Art et la Vie, preface by Louis Latourette, Paris, Seheur, 1929 (presumed catalogue).
- Arthur Pfannstiel, Modigliani et son œuvre, étude critique et catalogue raisonné, Paris, Bibliothèque des Arts, 1956.
- Ambrogio Ceroni, Amedeo Modigliani: dessins et sculptures; avec suite du catalogue illustré des peintures, Milan, Edizioni del Milione, 1965.
- Ambrogio Ceroni and Leone Piccioni, I dipinti di Modigliani, Milan, Rizzoli, 1970.
- Joseph Lanthemann, Modigliani, catalogue raisonné: sa vie, son œuvre, son art, Barcelona, G. Condal, 1970.
- Osvaldo Patani, Modigliani. Catalogo generale, Milan, Leonardo, 1991–94.
- Christian Parisot, Catalogue raisonné Modigliani, Livorno, Graphis Arte, 1991.
- Nancy Ireson and Simonetta Fraquelli, Modigliani, London, Tate Modern / Skira Rizzoli, 2017.