secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 302 | Nº 331 | Nº 222 | YES | 5/1918 | Nº 231 | YES | ? |
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Leopold Zborowski., Paris
Bernheim Jeune, Paris (1929)
Netter Collection, Paris (by 1930?)
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In process
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Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 50
Cocteau, Modigliani, Paris et Feldafing, 1953, pl. 14
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 302 - titled Mme. Hebuterne (Jeanne) - dated en 1918- first 1919 - signed top right - wrong
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 85
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965 (?)
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 331 - title Young fille (Jeanne Hébuterne) - dated 1918
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 238 - dated 1918 - nº 222 - title Jeanne Hébuterne half turned to the right - dated 1918
Dalevèze, Modigliani, Lausanne, 1971, p. 33
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 238 - dated 1918 - nº 222
Mann, Modigliani, Thames and Hudson, London, 1980, p. 171 - nº 125
Hall, Modigliani, Phaidon, Oxford, 1984 - nº 34
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 5/1918
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 231 - as Head of Jeanne Hébuterne, looking right - dated 1918
Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 - nº 47, p. 97
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002 - nº 79, pp. 336-337
NOTE:
Exactly the same text published in the 1999 Lugano exhibition, p. 97
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Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 144
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, La Collection Jonas Netter, Pinacotheque de Paris, 2012
In process
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Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 68 as La Femme du peintre - dated 1919
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 59
Paris, Modigliani Peintures, Galerie de France, 1945-46 - nº 16 as Madame Hébuterne - dated 1918
Paris, Musée des Arts Décoratifs, 1952 - nº 18
Venezia, Biennale di Venezia, 1952
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 47
Tokyo, Exposition Amedeo Modigliani au Japon, Tobu Museum of Art, 1992-93 - nº 26
Kyoto, Exposition Amedeo Modigliani au Japon, Daimaru Museum, 1992-93 - nº 26
Osaka, Exposition Amedeo Modigliani au Japon, Daimaru Museum of Umeda, 1992-93 - nº 26
Ibaraki, Exposition Amedeo Modigliani au Japon, Museum of Modern Art, 1992-93 - nº 26
Lausanne, Modigliani, Utrillo, Soutine, Les peintres de Zborowski et leurs amis, Fondation de L'Hérmitage. Curated by Marc Restellini, 1994, p. 163 - nº 13
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg. Curated by Marc Restellini, 2002 - nº 79
Milano, Modigliani: l'ange au visage grave, Palazzo Reale. Curated by Marc Restellini, 2003 - nº 55
Tokyo, Modigliani et le primitivisme, The National Art Center. Curated by Marc Restellini, 2008 - n° 49
Osaka, Modigliani et le primitivisme, The National Museum of Art. Curated by Marc Restellini, 2008 - n° 49
South Korea, Amedeo Modigliani and Jeanne Hébuterne, Aram & Harmony Art Museum of Goyang. Curated by Marc Restellini, 2008
Paris, La Collection Jonas Netter - Modigliani, Soutine et l'Aventure de Montparnasse, Pinacotheque de Paris. Curated by Marc Restellini, 2012
Milano, La Collection Jonas Netter, Palazzo Reale. Curated by Marc Restellini, 2013
St. Petersburg, Modigliani, Soutine and other legends of Montparnasse (the Netter Collection), Fabergé Museum. Curated by Marc Restellini, 2017-18
Livorno, La Collection Jonas Netter - Modigliani, Soutine et l'Aventure de Montparnasse, Museo della Città, 2019-2020
In process
Nº 68 in D' Atri papers - la femme du peintre (Hébuterne) - dated 1919 - 46 x 28 - Netter Collection, 1933
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Detail of signature in visible normal light:
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This painting presents holes in the 4 corners, all of them half covered.
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Detail of the pointy ear where the drawing is clearly visible and is painted over the color (on top of the color)
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The painting framed at St. Petersburg, Modigliani, Soutine and other legends of Montparnasse (the Netter Collection), Fabergé Museum. Curated by Marc Restellini, 2017-18:
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There are 3 paintings very similar in size and composition
