secretmodigliani.com
|
|||||||||||||||||
Date | 1916-19? (Klein, Wayne 1916-19? - Restellini ? - Parisot 1916-19) | ||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Title | Young woman, hand in bust - Seated red haired young woman - young woman - Beatrice Hastings seated nude - Bust of young woman in chemise - young swedish girl | ||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||
Size | 65.72 x 50.17 cm (Wayne 64.8 x 50.2) | ||||||||||||||||
Signature: | Signed "modigliani" top right | ||||||||||||||||
Actual Location | Dallas Museum of Art, Dallas, Texas, USA ( Inv. Nº 1981.126) | ||||||||||||||||
Provenance | -?- ? Leopold Zborowski, Paris (Guillaume files) ? Marcel Bernheim Collection, Paris (by 1930) Bing Gallerie, Paris Private Collection, Paris ? Marlborough-Gerson Gallery, New York (stock nº NOS8035) ? Dallas Museum of Art, Dallas, Texas, USA ( Inv. Nº 1981.126) Gift of the Meadows Foundation, Incorporated 1981 In process |
||||||||||||||||
Bibliography | -?- ? Einstein, Die Kunst des 20. Jahrhunderts, Berlin, 1926 Salmon, Modigliani, sa vie et son oeuvre, Ed. des Quatres Chemins, Paris, 1926, pl. 25 Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milano, 1927 Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 44 Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 272 (dated 1918) Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 276 (dated 1918) Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, p. 37, f. 16 Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, p. 92 Fraquelli, Modigliani, Fort Worth and Paris, in Burlington Magazine, nº 145, 2003, pp. 254-255 Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007 Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 142 (mention as by the hand of Modigliani) In process |
||||||||||||||||
Exhibitions | -?- ? Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930 - nº 32 Paris, Du XVe au XXe siècle. George Petit Galeries, 1931 Paris, La femme 1800-1930, Galerie Bernheim Jeune, 1948 - nº 62 Paris, Peintres de portraits, Galerie Bernheim Jeune, 1952 - nº 41 as la jeune suedoise Dallas, Dallas collects, Dallas Museum of fine arts, 1978 - nº 87 Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 78 Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 78 Buffalo NY, Modigliani and the artists of Montparnasse, Albright-Knox Gallery, 2002-2003 - nº 15 Fort Worth, Modigliani and the artists of Montparnasse, Kimbell art Museum, 2003 - nº 15 Los Angeles, Modigliani and the artists of Montparnasse, Los Angeles County Museum of Art, 2003 - nº 15 Toronto, Modigliani: Beyond the Myth, The Art Gallery of Ontario, 2004 - 2005 Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005 Madrid, Modigliani y su tiempo, Museo Nacional Thyssen Bornemisza, 2008 Bonn, Amedeo Modigliani: Ein Mythos der Moderne, Bundesrepublik, 2009 - nº 78 (dated by Parisot 1916-19) Villeneuve d'Ascq, L'oeil intérieur, LaM. Lille Métropole musée d'art moderne, 2016 Budapest, Modigliani, Hungarian National Gallery, 2016 Helsinki, Modigliani, Ateneum Art Museum, 2016-2017 In process |
||||||||||||||||
Other | Not in D' Atri papers? ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- This painting presents holes in the 4 corners (2 covered by restoration) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Detail of signature in visible normal light: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Detail of the brush play and the spots used to create shadows: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The same sitter or almost identical is identified in a lost painting as "Beatrice Hastings or woman with cameo" dated 1917: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Very simlar compositions: - - - : -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting in display at Paris, Peintres de portraits, Galerie Bernheim Jeune, 1952 - nº 41 as the young swedish girl: |
This page is a work on progress, nothing in this page should be considered as final or definitive. |