secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 98 | Nº 274 | Nº 226 | YES | ? | Nº 236 | ? | ? |
Pfannstiel:
Bernheim Jeune, Paris
D'Atri;
Gallery Paquerau, Paris (1934)
Ceroni:
Private Collection, Basel
Patani :
Eugene Descaves, Paris
Private Collection, Paris
?
Private Collection, Switzerland (Basel?)
In process
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 15
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 98 (dated 1916)
Russoli, Amedeo Modigliani, Silvana Editoriale d'Arte, Milano, 1958, pl. 16
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 226 (dated 1918)
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 274 (dated 1918)
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 236 (dated 1918)
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
In process
Roma, Modigliani, VI Quadriennale, Palazzo delle Exposizioni, 1952 - nº 20
In process
Nº 120 t in D' Atri papers (with doubts) Jeune Fille assise - 48.5 x 32 cm - 1918 - Gallery Paquerau, Paris (1934)
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The painting orinally presented holes in the 4 corners but it was cut in circular shape in the corners in unknown date
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Detail of signature in visible normal light:
Only the black:
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Eyes show slight traces of the style of 1917 but the coloring and the incarnation is definitely from the period of 1918-1919 the eyelashes
are a novel element in their application format (there are many other eyelashes in Modigliani's oeuvre, but this style is new).
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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)
