secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 338 | Nº 325 | Nº 272 | YES | 16/1918 | Nº 285 | ? | ? |
Patani:
Léopold Zborowski, Paris ?
Sabouraud Collection, Paris (Acquired 1919)
Galerie Bing, Paris (Acquired 1945)
Walter Hadorn Collection, Bern
Kunstmuseum, Bern, Switzerland ( Inv. Nº G2223)
Gift of Walter & Gertrud Hadorn
- Other provenance:
Lunia Czechowska
Bignou, Paris
Walter Hadorn Collection, Bern
Kunstmuseum, Bern, Switzerland ( Inv. Nº G2223)
Gift of Walter & Gertrud Hadorn
In process
Deutsche Kunst und Dekoration, Gemälde von Modigliani, Verlagsanstalt Alexander Koch, XXVIII - July 1925, p. 205
Salmon, Modigliani, sa vie et son oeuvre, Ed. des Quatres Chemins, Paris, 1926, pl. 31
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 53
Basler, Modigliani. Editions G. Cres, Paris, 1931
Taguchi, Modigliani, Alier-Sha Tokyo, 1936, pl. 26
Franchi, Modigliani, Arnaud, Firenze, 1944, pl. 30
Franchi, Modigliani, Arnaud, Firenze, 1946, pl. 47
Venturi, Pittura Contemporanea, Milan 1948, p. 152
San Lazzaro, Modigliani peintures, Les Éditions du Chêne, Paris, 1953, pl. 16
Jedlicka, Modigliani, E. Rentsch, Zürich, 1953, pl. 41
Descargues, Amedeo Modigliani, Braun, Paris, 1954, pl. 11
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 338 /dated 1919)
Fels, 1956, p. 14
Roy , Modigliani, Skira, Lausanne, 1958, p. 85
Cartier, Modigliani Nus, Hazan, Paris, 1958, pl. 9
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 207
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Zurich, 1958, pl. 53
Borchert, Faber and Faber, London, 1960, pl. 8
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961, pl. 8
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965 - nº 207
Diehl, Modigliani, Ed. Flamarion, Paris, 1969, p. 68
Geza, Modigliani, Budapest, Corvina Kiadó, 1969, pl. 27
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 272 (dated 1918)
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 325
Dalevèze, Modigliani, Lausanne, 1971, p. 41
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 272
Zurcher, Modigliani, Ed. F. Hazan, Paris, 1980, pl. 59
Musée de Art Moderne de la Ville de Paris, Modigliani exib. cat., 1981 - nº 73, p. 151
Roy, Modigliani, Nathan, Paris, 1985, p. 77
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 175
Parisot, Modigliani, Graphis Arte, 1988, p. 175
Mondadori, Modigliani a Montparnasse, Mondadori, Milano, 1988, p. 82
Angela Ceroni, Les nus, Biblioteque des Arts, Paris, 1989, p. 91
Orion Press, Tokyo, 1989 - nº 59
Parisot, Modigliani, il segno, Electa, Florence, 1990, p. 175
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 117 - nº 66
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 285 (dated 1918)
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 16/1918
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 125
Kruszynski. Amedeo Modigliani: Portraits and Nudes. Munich, 1996, p. 92
Da Rosa, Modigliani, Giunti G. E, Firenze, 1996, p. 39
Krystof, Amedeo Modigliani: The Poetry of Seeing, Taschen, Cologne,1996, 2000, p. 62
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Martigny, Fondation Pierre Gianadda, Modigliani et l'Ecole de Paris, June-November 2013, pp. 64-65
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 145
In process
?
Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 41
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 61
Berne, 1946 - nº 101
Bern, Modigliani, Campigli, Sironi, Kunsthalle, 1953 (?)
Lausanne, Exposition Nationale Lausanne, 1964
New York, European Master paintings from Swiss Collections, Museum of Modern Art, 1976-77
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 73
Verona, Modigliani a Montparnasse, Palazzo Forti, 1988
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 77
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 77
Martigny, Modigliani & the school of Paris, Fondation Pierre Gianadda, 2013 - nº 20
London, Modigliani, Tate Modern, 2017-2018
In process
Nº 41 in D' Atri papers as Elvire ( la fille du poupée) - 92 x 60.5 - dated 1917 - Provenance in Sabourand Collection, Paris ( in 1933)
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Detail of signature in visible normal light:
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The eyes are treated in a very schematic, as in the works of the period 16-17 but the coloring and the incarnation is closer to the works of period 18-19,
although the deformation of the left eyelid is clearly related to the Period of 1916 , it is undoubted that the nose and the nasal bridge are the work of
1918-1919, in the same work we can see the evolution of Modigliani, as is usual in his work.
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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)
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Detail of the loose hair that Modigliani liked so much:
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The painting framed at London, Modigliani, Tate Gallery, 2017
