secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| NO ? | YES | NO | YES | YES | NO | NO | ? |
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Lucie Lolot Gallerie, Paris
Leicester Galleries, London (acquired from the above 1928)
Pierre Matisse Gallery, New York (acquired from the above 1929 - stock nº 49 in 1931)
Jane K. Ransohoff Collection, Cincinnati ( acquired from above in December 1934)
Cincinnati Art Museum
Donated by Ransohoff Collection in 1964
Deaccession in 1990
Sale: Leslie Hindman, Chicago, 10 / March / 1991
Sold: 500.000 USD
Shaltiel Collection, Chicago
Perls Galleries, New York
Sale: Phillips, London, JUne / 23 / 1997
Estimate: 500.000 - 800.000 GBP - Withdrawn
Note:
On the day of auction Marc Restellini sent a fax to Phillips stating that Jeune Femme Brune “cannot, in (his) opinion, be in the hand of Amadeo Modigliani.
"This painting will therefore not be included in the final Catalogue raisonne of the works of Modigliani which I am preparing at the Wildenstein Institute.”
This information was announced at the auction and the work was withdrawn.
Private Collection
In process
-?-
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International Studio Magazine, March 1929
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Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 250 - titled Young brunette woman - dated 1917
Parisot,
Modigliani, Pierre Terrail, Paris, 1992, cover, pp.146-147
Parisot, A. Modigliani Jeanne Hébuterne e gli artisti di Montmartre e Montparnasse, Maiocchi Edizioni, Milano, 2003
Parisot, Modigliani Catalogue Raisonné Vol. V, Rome, 2012
In process
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London, Leicester Galleries, London, 1928
New York , Pierre Matisse Gallery, 1929
San Francisco, French painting from the 15th Ct. to present day, Californa palace of the legion of Honor, 1934 - nº 214 - titled Girl with a bang
New York , Perls Galleries, 1991-1992
Bonn, Amedeo Modigliani: Ein Mythos der Moderne, Bundesrepublik, 2009 - nº 87
In process
Not in D'Atri papers?
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Signature of the painting:
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The painting has been subjected to chemical and spectographic analysis, it is clear from the results that there is no evidence of the use of any
pigments or materials that were unavailable or that would date the painting later than 1920, the date of Modigliani’s death.
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The painting framed in 2017:
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The same sitter, Barrey, Kiki, or unknown model can be seen in at least 4 paintings:
