The son of the concierge  by amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 243 Nº 305 Nº 239 YES 17/1918 Nº 251 ? ?
Date 1918
Title Le gosse du concierge - le fils du concierge - the son of the concierge - les cheveux rasés - the shaved hair
Materials Oil on canvas
Size 100 x 65 cm ? (Auction 2006: 92 x 60 cm ? - Auction 1997: 92.4 x 60 cm ?)
Signature: Signed "modigliani" top right
Actual Location Private Collection ?
Provenance -?-
?

Leopold Zborowski, Paris
Libaude Collection, Paris
Bing et Cie. Gallery, Paris (in 1927)
Dutilleul Collection, Paris
Masurel - Dutilleul Collection, Paris
Private Collection ?

Sale: Christie's, New York, - 14 / May /1997 - Sale 8648 - Lot 42
Estimate: 6.000.000 / 8.000.000 USD - Sold: 5.502.500 USD

Private Collection ?

Sale: Sotheby's  New York - 7 / November / 2006 - Lot 38
Estimate: 14.000.000 / 18.000.000 USD - Sold: 31.096.000 USD

Private Collection ?


In process

Bibliography

-?-
?

George, Modigliani, lamour de lart, Paris, October 1925, p. 385
Salmon, Modigliani, sa vie et son oeuvre, Ed. des Quatres Chemins, Paris, 1926, pl. 30
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milano, 1927, pl. 16
Scheiwiller, Editions des Chroniques du jour, Paris, 1928, pl. 14
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 38
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milano, 1932, pl. 14
Taguchi, Modigliani, Alier-Sha Tokyo, 1936, pl. 24
Apra, Tormento di Modigliani, Bietti, Milano 1945, p. 96
San Lazzaro, Modigliani peintures, Les Éditions du Chêne, Paris, 1947, pl. 7
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milan, 1950, pl. 16
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 243 - titled The son of the concierge - dated 1918
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Zurich, 1958, pl. 57
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965, p. 213
Geza, Modigliani, Budapest, Corvina Kiadó, 1969 - nº 34
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 305 - titled Seated boy (the son of the concierge) - dated 1918
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 239 - titled Seated boy (the son of the concierge) - dated 1918
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 197 2- nº 239 - titled Seated boy (the son of the concierge) - dated 1918
Musée de Art Moderne de la Ville de Paris, Modigliani exhib. cat., 1981 - nº 57, p. 139
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 163
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 17/1918 - titled The son of the concierge - dated 1918
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 251- titled Seated boy (the son of the concierge) - dated 1918
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007


In process

Exhibitions -?-
?

Paris, Modigliani, Galerie Bernheim-Jeune, 1922 - nº 12 as Les Cheveux rasés (?)
Paris, Modigliani, Galerie Bing et Cie, 1925 nº 25 ? (not visible in images but mention in catalogue)
?
Zürich, Italienische Maler, Kunsthaus, 1927 - nº 103 - titled as Le gosse du concierge
Paris, Modigliani Peintures, Galerie de France, 1945-46 - nº 27 - titled as Le gosse du concierge - dated Cagnes 1918
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 57 - titled as Le fils du concierge

In process

Other
Painted in Cagnes, 1918 ?

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Nº 329 in D'Atri papers - titled le gosse du concierge - dated Cagnes 1918 - 100 x 65 - Provenance: Zborowski > Libaude > Bing > Ditilleul 1929 > Masurel

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This painting presents holes in the 4 corners

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Signature of the painting:

signature

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Detail of the ears where the drawing is clearly visible and is painted in color

ears


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I have no information of any cleaning procedures on this work, but the auction in 2006 showed a clean painting with a clear (non oxidated) varnish so it
must have been cleaned to auction, the last image of the painting dates from 2017 and show the painting much more dull and flat, probably it can be a
trick of light or the other possible reason is that it has been over washed loosing many of the main red tones, but I do not have information.

cleaning


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The painting framed for auction in 2006:

framed




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