secretmodigliani.com
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Date | 1918 | ||||||||||||||||
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Title | Leopold Zborowski with a cane - Zborowski with joint hands | ||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||
Size | 73 x 50 cm ? | ||||||||||||||||
Signature: | Signed "modigliani" bottom right | ||||||||||||||||
Actual Location | Private Collection? | ||||||||||||||||
Provenance | -?- ? Leopold Zborowski, Paris (Restellini: Acquired by Dutilleul in 1922 and until 1954) Bernheim Jeune, Paris Gouthier Collection, Paris Marlborough Fine Arts, London Samir Traboulsi Collection, Paris ? In process |
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Bibliography | -?- ? Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 36 Cocteau, Modigliani, Hazan, Paris, 1950, p. 18 Descargues, Amedeo Modigliani. Braun, Paris, 1951, pl. 30 Cocteau, Modigliani, Paris et Feldafing, 1952, p. 18 Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 219 - title Zborowski resting on a cane - dated 1917 Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 287 - title Zborowski - dated 1918 Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 251 - title Red necklace (Mme. Verdou) - dated 1918 Modigliani J., Racconta Modigliani, Ed. Graphis. 1984, p. 144 Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 11/1918- title Zborowski with a cane - dated 1918 Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 263 - title Leopold Zborowski with a cane - dated 1918 Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 209 Parisot, Amedeo Modigliani, 1884-1920 : itinéraire anecdotique entre France et Italie, ACR edition, 1996, p. 155 Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 344-345 - nº 83 - title Leopold Zborowski with a cane - dated 1918 Fraquelli, Modigliani and His Models. Exh. cat., Royal Academy of Arts. London, 2006, pp. 112-113- nº 29 (dated 1917-18) Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007 Restellini, Le silence éternel, Pinacotheque de Paris, 2008, pp. 132,133 Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 189 In process |
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Exhibitions | -?- ? Tokyo, Modigliani, Grand Magazin Seibu, 1968 - nº 35? Kyoto,Modigliani, National Museum of Art , 1968 - nº 35? Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 65 Tokyo, Modigliani exhibition, National Museum, 1985 - nº 105 Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985 - nº 105 Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 89 Tokyo, Amedeo Modigliani et l'Ecole de Paris, Museum of Art, 1991 (curated by Christian Parisot) Tokyo, Exposition Amedeo Modigliani au Japon, Tobu Museum of Art, 1992-93 Kyoto, Exposition Amedeo Modigliani au Japon, Daimaru Museum, 1992-93 Osaka, Exposition Amedeo Modigliani au Japon, Daimaru Museum of Umeda, 1992-93 Ibaraki, Exposition Amedeo Modigliani au Japon, Museum of Modern Art, 1992-93 Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 44 Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 83 Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 - nº 59 London, Modigliani and his models, Royal Academy of Arts, 2006 - nº 29 Moscow, Meeting Modigliani, Pushkin State Museum of Fine Arts, 2007 Pisa, Amedeo Modigliani et ses amis, BLU | Palazzo d’arte e cultura, 2014- 2015 Villeneuve d'Ascq, L'oeil intérieur, LaM. Lille Métropole musée d'art moderne, 2016 Budapest, Modigliani, Hungarian National Gallery, 2016 Helsinki, Modigliani, Ateneum Art Museum, 2016-2017 London, Modigliani, Tate Modern, 2017-2018 In process |
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Other | Nº 226 in D'Atri papers as Zborowski - 73 x 50 - dated 1917 - provenance in Zborowski > Bernheim Jeune 1929 ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Signature of the painting: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting was cleaned with a quality restoration, the strong oranges of the skin tone and the main colors are well preserved but I have no certain information about this intervention. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting framed at Villeneuve d'Ascq, L'oeil intérieur, LaM. Lille Métropole musée d'art moderne, 2016: |
This page is a work on progress, nothing in this page should be considered as final or definitive. |