secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 287 | Nº 295 | Nº 227 | YES | 12/1918 | Nº 238 | YES | ? |
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Léopold Zborowski, Paris
Bing Galerie, Paris
Netter Coll., Paris (until 1933)
Khoury Coll., Paris (1933, 1956, ?)
?
Private Collection?
In process
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Salmon, Modigliani, sa vie et son oeuvre, Ed. des Quatres Chemins, Paris, 1926, pl. 17
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milano, 1927, pl. 12
Scheiwiller, Editions des Chroniques du jour, Paris, 1928 , pl. 10
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 47
Georges-Michel, Les Montparnos, Paris, 1929, p. 20
Neugass , Deutsche Kunst und Dekoration, Amedeo Modigliani, Print. Bruno Cassirer, Berlin, January 1930, p. 229
Taguchi, Modigliani, Alier-Sha Tokyo, 1936, pl. 16
Franchi, Modigliani, Arnaud, Firenze, 1944, pl. 2
Franchi, Modigliani, Arnaud, Firenze, 1947, pl. 39
Cocteau, Modigliani, Hazan, Paris, 1950, pl. 2
Dictionnaire de la peinture Moderne, Paris, 1954, p. 190
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 287 (size 46 x 28
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 86
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961, p. 15
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 227
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 295
Deleveze, 1971, p. 31
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972, nº 227
Mann, Modigliani, Thames and Hudson, London, 1980, p. 161 - nº 118
Musée de Art Moderne de la Ville de Paris, Modigliani exib. cat., 1981, p. 144 - nº 64
Hall, Modigliani, Phaidon, Oxford, 1984 - nº 35
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 15
Verona, Modigliani a Montparnasse, Palazzo Forti, 1988 , p. 82
Restellini, Carrefour Vavin, Paris 1989, p. 50
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 12/1918
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 238
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 48
Da Rosa, Modigliani, Giunti G. E, Firenze, 1996, p. 22
Parisot, Amedeo Modigliani, 1884-1920 : itinéraire anecdotique entre France et Italie, ACR edition, 1996, p. 163
Krystof, Amedeo Modigliani: The Poetry of Seeing, Taschen, Cologne,1996, 2000, p. 45
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 334-335 - nº 78
Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, p. 130, pl. 45 - dated 1918
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Marini, Modigliani , Skira, France, 2008 - nº 45
Restellini, La Collection Jonas Netter, Pinacotheque de Paris, 2012, cat. 34 - dated in 1916
In process
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Paris, Modigliani, Galerie Bing et Cie, 1925 - nº 16
Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 69
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 60
Paris, Musée des Arts Décoratifs, 1952
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 64
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 84
Lausanne, Modigliani, Utrillo, Soutine, Les peintres de Zborowski et leurs amis, Fondation de L'Hérmitage, 1994 - nº 4
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 (curated by Rudy Chiapini & Marc Restellini)
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 78 (curated by Marc Restellini)
Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 - nº 54 (curated by Marc Restellini)
New York, Modigliani: Beyond the Myth, The Jewish Museum, 2004
Tokyo, Modigliani et le primitivisme, The National Art Center, 2008 - n° 48 (curated by Marc Restellini)
Osaka, Modigliani et le primitivisme, The National Museum of Art, 2008 - n° 48 (curated by Marc Restellini)
South Korea, Amedeo Modigliani and Jeanne Hébuterne, Aram & Harmony Art Museum of Goyang, 2008 (curated by Marc Restellini)
Paris, La Collection Jonas Netter, Pinacotheque de Paris, 2012 (curated by Marc Restellini) dated in 1916
Milano, La Collection Jonas Netter, Palazzo Reale, 2013 (curated by Marc Restellini)
St. Petersburg, Modigliani, Soutine and other legends of Montparnasse (the Netter Collection) Fabergé Museum, 2017-18 (curated by Marc Restellini)
Livorno, La Collection Jonas Netter - Modigliani, Soutine et l'Aventure de Montparnasse, Museo della Città, 2019-2020
In process
Nº 69 in D' Atri papers as Zborowski - 46x 28 - dated 1919 - Provenance in Zborowski > Netter > Khoury 1933?
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This painting presents holes in the 4 corners, all of them half covered.
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Detail of signature in visible normal light:
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The eyes and the incarnation of the eyelids is just the prototype of the painting of 1918 or late 1917 in the work of Modigliani, you can see a mixture
of all his style, in the right eyelid at the beginning you see a solid block of very classic color of his works of 15-16 while the dark circles are treated
with color gradient as well as the left eyelid, however you can see the black line, something also of the 17, the nose is unique and special as you can
see the round point and the solid block of mustard color in the lower tip while there is a color gradient in the rest.
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Detail of the pointy ears where the drawing is clearly visible and is painted over the color (on top of the color)
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Detail of the zig zag brush strokes next to the figure in the background mixing white, green, white and black to create a sensation of movement in a neutral zone.
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Detail of the loose hair that Modigliani liked so much:
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The painting framed at St. Petersburg, Modigliani, Soutine and other legends of Montparnasse (the Netter Collection), Curated by Marc Restellini, Fabergé Museum, 2017-18
