secretmodigliani.com
|
|||||||||||||||||
Date | 1917 | ||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Title | Boy in a sailor suit - Boy - Boy wiith white collar - Garçon au col blanc - Seated boy | ||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||
Size | 92.1 x 60.3 cm | ||||||||||||||||
Signature: | Signed "modigliani" top right and dated "1917" in bottom right (text almost lost and visible only unframed) | ||||||||||||||||
Actual Location | Barnes Foundation, Philadelphia, Pennsylvania, USA (Inv. nº BF369) | ||||||||||||||||
Provenance | -?- Zamaron Collection, Paris? (not mentioned in the Zamaron sale in 1920) Paul Guillaume, Paris Sold by Guillaume to Alfred Barnes in 1922 or 1923(?) Barnes Foundation, Philadelphia, Pennsylvania, USA (Inv. nº BF369) In process |
||||||||||||||||
Bibliography | -?- Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 25 Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1954, pl. 64 as seated boy, dated 1918. Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 151 (dated 1917, Unknown collection) Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 307 Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 212 (dated in 1917 located in Barnes collection) Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 183 (dated in 1917) Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007 Dolkart/Lucy/Gillman, The Barnes Foundation: Masterworks, Skira Rizzoli, 2012 In process |
||||||||||||||||
Exhibitions | -?- Philadelphia, Catalogue of an Exhibition of Contemporary European Paintings and Sculpture, The Pennsylvania Academy of the Fine Arts, 1923 Since the 20's of past century the painting has never left the Barnes premises. |
||||||||||||||||
Other | Not in D' Atri papers ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ The infra red image show the clear line of the drawing : ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ The painting framed at the Barnes: The gorgeous & incrdedible assembly of room 19 at the Barnes Foundation: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ This painting present holes in the 4 corners, two covered by restoration but visible under infrared. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ Detail of signature: Detail of the date in bottom right: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ Detail of the eyes and ears configuration: Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color) ------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
This page is a work on progress, nothing in this page should be considered as final or definitive. |