Jeanne Hebuterne au collier by amedeo modigliani
Image courtesy of Sotheby's
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 95 - Nº 209 Nº 185 Nº 173 YES 13/1917 Nº 178 YES ?
Date 1917?
Title Jeanne Hébuterne au collier - Jeanne Hébuterne with a necklace - woman with necklace - la femme au collier
Materials Oil on canavas
Size 55.8 x 38.7 cm (Restellini 55 x 38)
Signature: Signed "Modigliani" bottom right with the same colors of the dress (mixing colors with black- Signed again the back "Modigliani"" and the text "3 Joseph Bara / Paris" on the reverse
Actual Location Private Collection?
Provenance -?-

Leopold Zborowski, Paris?
Bernheim-Jeune Galerie, Paris
André Saint, Paris
Sale: Hôtel Drouot, Paris, 27 / February / 1932 - Lot 87
Galerie Zborowski, Paris
Paul & Mildred Lamb, Shaker Heights (acquired from the above by 1932-33)
Sale: Parke-Bernet Galleries, New York, December 11-12, 1941, lot 122
Arnold Seligman & Rey, New York (acquired at the above sale)
Robert B. Eichholz, Washington, D.C. (in 1958)
Private Collection

Sale: Sotheby's, New York, Impressionist & Modern art evening sale - 05-May-2010 - Sale N08633 - Lot 7
Estimate: 9.000.000 - 12.000.000 USD - Sold: 13.802.500 USD

Private Collection?

In process

Bibliography -?-

Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 34 (dated end of 1916)
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 15 (this work is repeated)
Basler, Modigliani. Editions G. Cres, Paris, 1931, pl. 13 (dated in 1916)
Descargues, Amedeo Modigliani. Braun, Paris, 1951, pl. 25 (dated in 1916 and photo from Bernheim Jeune files)
Carli, Amedeo Modigliani, De Luca, Roma 1952, pl. 7
Descargues, Amedeo Modigliani, Braun, Paris, 1954, p. 25
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 95 and nº 209 repeated with almost identical data and provenance (dated 1915 - 1916)
Modigliani J. , Modigliani: Man and Myth, Orion Press, New York, 1958 - nº 41 (dated 1917 at in R. Eichholz Collection)
Modigliani J. , Modigliani senza leggenda, Vallecchi Editore, Firenze, 1958
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 57, p. 53 (dated 1916-17)
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961 - nº 41
Werner, Amedeo Modigliani , H. Abrams, New York, 1967, pl. 43
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 185 (dated 1917)
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 173 (dated 1917)
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991- nº 13/1917 (dated 1917)
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 178 (dated 1917)

Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 -- Decrooq-Restellini, mention in the catalogue of paintings for this exhibit that
this is the first portrait of Jeanne Hébuterne by Modigliani, saying almost the exact phrases as in their 2002 publication.

Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp302-303 - nº 64
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, pp 88- 89 (in his text M.R. say this is one of the first portraits of Hébuterne by Modigliani)
Marini, Modigliani , Skira, France, 2008, pl. 38

In process

Exhibitions -?-

Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 81 as Portrait - property of Paul Lamb, Cleveland
Cincinatti,  Exhibition of the Collection of Mr. & Mrs. Paul Lamb, Museum of Art, 1933
Roma, Modigliani, IV Quadriennale, Palazzo delle Esposizioni, 1951-1952
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 35
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 64
Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 - nº 45

In process

Nº 81 in D' Atri papers as woman portrait dated in 1919 provenance - Lamb collection in 1933


This painting presents holes in the 4 corners, covered by restoration


The signature of the painting:



The painting framed in Sotheby's for auction in 2010:

The painting framed in Sotheby's for auction in 2010
  This page is a work on progress, nothing in this page should be considered as final or definitive.