LEOPOLD SURVAGE  BY AMEDEO MODIGLIANI
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
NO Nº 202 Nº 211 YES 22/1917 Nº 217 YES YES
Date 1917 -1918 ? (the museum dates in 1918)
Title Léopold Survage
Materials Oil on canvas or cardboard? (the museum, Patani, Parisot, Ceroni on canvas - Restellini: oil on cardboard)
Size 61.5 x 46 cm (Parisot: 61.3 x 46 )
Signature: Signed "modigliani" top right
Actual Location Ateneum Finish National Gallery, Helsinki, Finland (Inv. Nº A IV 2971)
Provenance -?-

Amedeo Modigliani
Léopold Survage, Paris (?)
Léopold Zborowski, Paris
Roger Dutilleul Collection, Paris
Mme. Eyraud Collection, Paris
Galerie Beyeler, Basilea


Ateneum Finish National Gallery, Helsinki, Finland (Inv. Nº A IV 2971)
Acquired in 1955 (acquired at Beyeler ?)

In process

Bibliography -?-

Modigliani J. , Modigliani: Man and Myth, Orion Press, New York, 1958, pl. 11
Modigliani J. , Modigliani senza leggenda, Vallecchi Editore, Firenze, 1958
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958, pp. 22-26
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961, pl. 10
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965 - nº 201
Gindertael, Shop libre diffusion, 1967, pl. 25
Crespelle. Modigliani, les femmes, les amis, l’oeuvre, Presses de la Cité, Paris, 1969
Diehl, Modigliani, Ed. Flamarion, Paris, 1969, p. 47
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 202
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 211
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 211
Fifield. Modigliani. New York, 1976, p. 258
Gindertael, Shop libre diffusion, 1976, pl. 25
Warnod, La ruche et Montparnasse, 1978, p. 81
Mann, Modigliani, Thames and Hudson, London, 1980, p. 177
Maiolino, Modigliani vivo, Fagola, Torino, 1981, p. 61
Musée de Art Moderne de la Ville de Paris, Modigliani exib. cat., 1981 - nº 56, p. 138 - dated 1917
Modigliani J. Racconta Modigliani, Ed. Graphis. 1984, p. 230
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 173
Parisot, Modigliani, Graphis Arte, 1988, p. 179
Buisson, La scuola di Parigi e Modigliani, Graphis Arte, 1989, p. 121
Parisot, Modigliani, il segno, Electa, Florence, 1990 , p. 179
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 22/1917 - dated 1917
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 217 - dated in 1917
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 131 (dated 1918 - as oil on canvas)
Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 - nº 46, pp. 96, 99, 197; dated in 1918 as oil on canvas
Decrooq, a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 - nº 46, pp. 96, 99, 197; dated in 1918 as oil on canvas
Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, p. 36 - as oil on canvas, dated in 1918
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, p. 30
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, pp. 140-141 - dated 1917 as oil on cardboard (Huile sur carton)
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 93 - dated 1918 (as oil on canvas)


In process


Exhibitions -?-

London, French Art 1914-19, Mansard Gallery, London, 1919 - nº 44
Basel, Maitres de l´art moderne, Galerie Beyeler, 1955 (?)
Marseille, Modigliani, Musée Cantini, 1958 - nº 22
Paris, Cent Tableaux de Modigliani, Galerie Charpentier, 1958 - nº 64
Roma, Modigliani, Galleria Nazionale d'Arte Moderna, 1959 - nº 41
Frankfurt, Amedeo Modigliani, Steinernes Haus, 1963 - nº 26
Paris, Paris-Moscou 1900-1930, Centre national d'art et de culture Georges Pompidou, 1979
Liege, Modigliani exhibition. Musée Saint Georges, 1980 - nº 19
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 56 (dated 1917)
Barcelona, Modigliani, Centro Cultural de la Caixa de pensiones,Curated by Christian Parisot, 1983 - nº 28
Madrid, Modigliani, Sala de exposiciones la caja de pensiones, Curated by Christian Parisot, 1983 - nº 28
Tokyo, Modigliani exhibition, National Museum, 1985 - nº 85
Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 76
Tokyo, Exposition Amedeo Modigliani au Japon, Tobu Museum of Art, 1992-93
Kyoto, Exposition Amedeo Modigliani au Japon, Daimaru Museum, 1992-93
Osaka, Exposition Amedeo Modigliani au Japon, Daimaru Museum of Umeda, 1992-93
Ibaraki, Exposition Amedeo Modigliani au Japon, Museum of Modern Art, 1992-93
Lausanne, Modigliani, Utrillo, Soutine, Les peintres de Zborowski et leurs amis, Fondation de L'Hérmitage, 1994, p. 163 - nº 5
Firenze, Modigliani Soutine Utrillo e i pittori di Zborowski, Palazzo Vecchio, Sala d´Arme, 1995 - nº 5
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 46 - dated 1918
Helsinki, A Selection from the International Collection,Ateneum Art Museum, 2000-2001
Nagoya, Modigliani, a retrospective, Nagoya City Art Museum, 2008
Himeji, Modigliani, a retrospective, Himeji City Museum of Art, 2008
Iwate, Modigliani, a retrospective, Morioka Iwate Museum of Art, 2008
Nagoya, Modigliani, a retrospective, The Chunichi Shimbun, 2008
Seoul, Amadeo Modigliani: Legend of Montparnasse, Hangaram Museum of Seoul Art Center, 2015
Villeneuve d'Ascq, L'oeil intérieur, LaM. Lille Métropole musée d'art moderne, 2016
Budapest, Modigliani, Hungarian National Gallery, 2016
Helsinki, Modigliani, Ateneum Art Museum, 2016-2017
London, Modigliani, Tate Modern, 2017-2018
Moscow, "Les Soirees de Paris of Baroness Oettingen". Rousseau, Modigliani, Apollinaire, Survage, Férat", Pushkin State Museum, 2019


In process

Other
Not in D'Atri papers

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Detail of signature in visible normal light:
NUDE SIGNATURE DETAIL

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This painting presents holes in the 4 corners

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Detail of the nose/ mustache where the drawing with colors and black detail is visible and is painted over the color (on top of the color)
NOSE

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Detail of the ear where the drawing with colors and black detail is visible and is painted over the color (on top of the color)

DETAIL OF THE CONSTRUCTION OF THE EARS OF LEON BAKST BY AMEDEO MODIGLIANI


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The painting framed in 2017:

framed in chicago

  This page is a work on progress, nothing in this page should be considered as final or definitive.