secretmodigliani.com
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Date | 1916- 1917 | ||||||||||||||||
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Title | Jeune fille à la frange - La noire - Girl with black hair - Girl with bangs - La frange - The cutted hair - Young girl | ||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||
Size | 53 x 36 cm ? (54 x 37 in 1947 exhibit - in 1921 55 x 38) | ||||||||||||||||
Signature: | Signed "modigliani" top left | ||||||||||||||||
Actual Location | Private Collection | ||||||||||||||||
Provenance | -?- B. de Volnay, Paris Bernheim Jeune, Paris (acquired from above 16 / April / 1921) Paul Guillaume, Paris (acquired from above 27 / May / 1924) ? Collezione del Milione, Milano Private Collection, Milano ? Galerie de La Béraudière, Paris (in 2016) ? In Process |
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Bibliography | -?- Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 16 Waldemar, La grande peinture contemporaine a la collection Paul Guillaume, Paris, 1929, p. 143 Vitali, Exh. Cat. Associazione fra gli amatori e i cultori delle arti figurative contemporanee, Milano, 1946 - nº 8 Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 103 (dated end of 1917) Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 265 (dated 1918, mention is the same model as in nº 264) Patrice/ Dauberville, Amedeo Modigliani chez Bernheim-Jeune, Paris, 2015 - nº 21 In process |
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Exhibitions | -?- Paris, Modigliani, Galerie Bernheim-Jeune, 1922 - nº 12 (as the cutted hair) Venezia, Modigliani retrospective, XIII Biennale di Venezia, 1922 - Sala XII - nº 6 (163668) Paris, la grande peinture contemporaine à la collection Paul Guillaume, Galerie Bernheim-Jeune, 1929 Milano, Associazione fra gli amatori e i cultori delle arti figurative contemporanee, 1946 - nº 8 (dated 1917 -size 54 x 37) Paris, SNA & La Biennale-Paris, Galerie de La Béraudière (Stand S16), 2016 In process |
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Other | Not in D' Atri papers --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Signature: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ Detail of the ear where the drawing is visible and is painted over the color (on top of the color) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Nº 264 in Lanthemann: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- There is an almost identical image published by Parisot and Lanthemann (once Lanthemann was dead) of the same painting: - ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting can be seen in the Guillaume office reconstruction at the Luxembourg museum in Paris: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting framed for sale at SNA & La Biennale-Paris, Galerie de La Béraudière (Stand S16), 2016 in Paris: |
This page is a work on progress, nothing in this page should be considered as final or definitive. |