secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 119 | Nº 199 | Nº 182 | YES | 8/1917 | Nº 188 | ? | YES |
Dr. Deveraigne, Paris ?
Berneheim Jeune Gallery, Paris (by 1922)
George Biddle Collection, New York
Frank Crowninshield Collection, New York ( 1925- to ?)
John Work Garret Collection, Baltimore
Alice Garret, Baltimore
Permanent loan to Evergreen House Foundation, John Hopkins University, Baltimore by Alice Garret in 1952 - Inv. Nº EH1952.1.32
In process
Basler, Kunst und Kunstler, Print. Bruno Cassirer, Berlin, October 1929 , illustrated, p. 362 (titled "French army officer" in Crowninshield collection, NY)
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 18
Dale, Modigliani, Knopf, New York, 1929, pl. 34
Descargues, Amedeo Modigliani, Braun, Paris, 1954, pl. 34 (titled "portrait of a man" as from Bernheim Jeune)
Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1954, pl. 28 (in Garret Collection)
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 119
Modigliani J. , Modigliani: Man and Myth, Orion Press, New York, 1958
Modigliani J. , Modigliani senza leggenda, Vallecchi Editore, Firenze, 1958, pl. 43
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965 - nº 182
Werner, Amedeo Modigliani, Garzanti, Milano 1967, p. 102
Werner, Amedeo Modigliani, Cercle d'art, Paris,1968, p. 110-111
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 199
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 182
Parisot, Modigliani, Graphis Arte, 1988, p. 158
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991- nº 8/1917
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 188
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 120
Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, p. 94 - nº 17
Fraquelli, Modigliani, Fort Worth and Paris, in Burlington Magazine, 145, 2003 pp. 254-255
Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, p. 119, pl. 34
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
In process
Paris, Modigliani, Galerie Bernheim-Jeune, 1922 - nº 18
New York, Paintings by Amedeo Modigliani 1884-1920, De Hauke & Co. Inc., 1929 - nº 18 (Titled "a french army doctor" Crowninshield collection)
New York, The Museum of Modern Art, 1936
Cleveland, Modigliani: Paintings, Drawings, Sculpture, Cleveland Museum of Art,1951
New York, Modigliani: Paintings, Drawings, Sculpture, The Museum of Modern Art, 1951
Cincinnati, Amedeo Modigliani: Paintings, Sculpture and Drawings, The Contemporary Arts Center, 1959 - nº 13
Chicago, Amedeo Modigliani: Paintings, Sculpture and Drawings, The Arts Club, 1959
Milwaukee, Amedeo Modigliani: Paintings, Sculpture and Drawings, Milwaukee Art Center, 1959
Atlanta, The Art of Amedeo Modigliani, Atlanta Art Association Galleries, 1960 - nº 14
Boston. Modigliani: Paintings and Drawings. Exh. cat., Museum of Fine Arts, 1961 - nº 12
Los Angeles. Modigliani: Paintings and Drawings. Exh. cat., Los Angeles County Museum, 1961 - nº 12
New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, Inc. 1971 - nº 27
Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 29
London, Modigliani, Tate Gallery, 1963 - nº 29
Tokyo, Modigliani exhibition, National Museum, 1985 - nº 78
Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985 - nº 78
Buffalo NY, Modigliani and the artists of Montparnasse, Albright-Knox Gallery, 2002-2003 - nº 17
Fort Worth, Modigliani and the artists of Montparnasse, Kimbell art Museum, 2003 - nº 17
Los Angeles, Modigliani and the artists of Montparnasse, Los Angeles County Museum of Art, 2003 - nº 17
Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005
In process
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The painting presents holes in the corners covered by restoration
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Signature of the painting:
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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)
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3 versions known of the same sitter:
Private Collection
Evergreer House Museum:
Bührle Collection:
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