secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 362 | Nº 288 | Nº 69 | YES | 26/1915 | Nº 71 | ? | YES |
?
Georges Chéron, Paris (Patani say 1915-16? the painting was made in 1917 therefore a mistake)
Thorkild Henningsen Collection
Sale of Henningsen Collection - Dansk Kunsthandel, Copenhagen 20-21/5/ 1919
Wils Collection, Copenhagen
Rump Collection, Copenhagen
National Gallery of Denmark SMK, Copenhagen, Denmark
The Royal Collection of Paintings and Sculptures (Inv. Nº KMSr145)
Acquired by the museum in 1928
In process
Exhib. Cat., Katalog J. Rumps Samling af Moderne Fransk Kunst, 1948, p. 101
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 362 (dated 1920)
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965, p. 176
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 288 (dated 1918)
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 69 (dated 1915)
Zurcher, Modigliani, Ed. F. Hazan, Paris, 1980 - nº 13
Orion Press, Tokyo, 1989 - nº 11
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - 26/1915 (dated 1915)
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 71 (dated 1915)
Da Rosa, Modigliani, Giunti G. E, Firenze, 1996, pp. 50-51
Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, p. 109 - nº 32 (dated in 1918)
Fraquelli, Modigliani, Fort Worth and Paris, in Burlington Magazine, nº 145, 2003, pp. 254-255
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Norbert, Modigliani und seine Zeit, Leipzig 2014, p. 109
In process
Copenhagen, Franske mesterværker fra Matisse til Picasso, ARoS Aarhus Kunstmuseum, 1996-1997
Fort Worth, Modigliani and the artists of Montparnasse, Kimbell art Museum, 2003 - nº 32
Los Angeles, Modigliani and the artists of Montparnasse, Los Angeles County Museum of Art, 2003 - nº 32
In process
Not in D'Atri papers.
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Detail of signature in visible normal light:
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This painting presents holes in the 4 corners
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The eyes of this painting:
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Detail of the brushstroke and the heavy impasto:
Detail of the use of the opposite side of the brush ( sthe stick ) to make the lines deeper and stronger:
Detail of the heavy impasto that forms the face, a sculptural construction:
Detail of the visual construction of the work where the under drawing made with a brush still visible and the
chain or thread where the cross was hanging is not in the final design and the cross is made with 2 simple brush strokes:
(originally hanging from the neck, becames a brooch)
All the above is even more obvious when you look art the Infra red image of the painting:
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The painting framed at the National Gallery of Denmark in 2017:
