Identification

Published titles

English: Jeanne Hébuterne; Woman portrait.

Date

1916?
Parisot dates it 1917 (no. 10/1917).

Medium

Oil on canvas.

Dimensions

79.5 × 64 cm, recorded with a query.

Signature

Signed modiglian at top right, in pink or white as recorded.

Present location

Private collection, recorded with a query.

Catalogue numbers

Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.

Provenance

1. Paul Guillaume, Paris (Parisot).
2. Jean Walter, Paris (Parisot).
3. Galerie Beyeler, Basel (Parisot).
4. Sale, Parke-Bernet, New York, 27 April 1972, lot 78 (Parisot).
5. Sale, Sotheby’s, New York, 2 July 1974 (Parisot; date as printed in this investigation).
6. Sale, Christie’s, London, 27 June 1988, lot 37 (Parisot).
7. Private collection.

The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.

Selected bibliography

Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.

• Joseph Lanthemann, supplement to the catalogue raisonné, 1979 (posthumous publication recorded as such in this investigation).¹
• Christian Parisot, 1991, no. 10/1917.²
• Osvaldo Patani, 1991–94, no. 163.³
• Christian Parisot, 1989 (title not further specified in this investigation).

Exhibitions

• New York, Metropolitan Museum of Art, Summer Loan Exhibition, 1966 (Parisot).

Notes

This investigation marks the work as not located in the D’Atri papers.

Lanthemann is marked YES? in this investigation; Ceroni and Pfannstiel are marked NO. The identification of the sitter as Jeanne Hébuterne is that of this investigation and of Parisot.

This investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.