secretmodigliani.com
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Date | 1916 (Restellini dates in 1915 even if it is dated in low right) | ||||||||||||||||
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Title | Portrait of Oscar Miestchaninoff | ||||||||||||||||
Materials | Oil on canvas | ||||||||||||||||
Size | 81.2 x 65 cm (Wayne / Parisot 81 x 60 cm - Pfannstiel 73 x 64 - exhibit 1963: 81.5 x 65) | ||||||||||||||||
Signature: | Signed "modigliani . " top left in black and dated "1916." bottom right in white | ||||||||||||||||
Actual Location | Private Collection | ||||||||||||||||
Provenance | -?- César de Hauke, Paris Jacques Sarlie, New York ? Sale: Sotheby & Co., London, 12 October 1960, lot 44 J. Koerfer Collection, Berne (acquired at the above sale) Sale: Christie's, Important Paintings and Sculptures from a European Estate, New York - 7 November 1995 - Sale 8270 - Lot 2 (size in catalogue 81 x 60 cm) Estimate: 6,000,000 - 8,000,000 USD - Sold: 9,352,500 USD Private Collection, United States (acquired at the above sale) Sale: Christie's New York - Impressionist and Modern Art Evening Sale - 6 November 2007 - Sale 1900 - Lot 47 (size in catalogue 81.2 x 65 cm) Estimate: 18,000,000 - 25,000,000 USD - Sold: 30,841,000 USD Private Collection In process |
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Bibliography | -?- T. Soby, Modigliani, Museum of Modern art, New York, catalogue exp. 1951, p. 32 Raynal, Modigliani, Skira, Genève 1951, pl. 3 T. Soby, Modigliani, Museum of Modern art, New York, catalogue exp. 1954, p 36 Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 110 B. Borchert, Modigliani, London, 1960, p. 8 Sotheby's 217th Season 1960-1961, London, 1961 Russell. Modigliani. Exh. cat., Royal Scottish Academy, Edinburgh. 1963, pl. 12 Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965, p. 181 Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 115 Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 153 Musée de Art Moderne de la Ville de Paris, Modigliani exib. cat., 1981, p. 125 -nº 40 Roy, Modigliani, Nathan, Paris, 1985, p. 94 Castieau-Barrielle, Modigliani, ACR Editions, Paris, 1987, p. 114 Parisot, Modigliani, Graphis Arte, 1988, p. 123 Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 91 - nº 42 Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991- nº 22/1916 Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 156 Parisot, Modigliani, Pierre Terrail, Paris, 1992, p.89 Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, p. 41, f. 21 Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, p. 42 (incorrectly dated in 1915 - the painting is dated 1916 in low right ) Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007 In process |
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Exhibitions | -?- Cleveland, Modigliani: Paintings, Drawings, Sculpture, Cleveland Museum of Art,1951, p. 51 New York, Modigliani: Paintings, Drawings, Sculpture, The Museum of Modern Art, 1951, p. 32 Paris, Galerie Max Kaganovitch, Oeuvres Choisies du XXe Siècle, 1962 - nº 46 Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 19 London, Modigliani, Tate Gallery, 1963 - nº 19 Paris,Paris - Moscou - 1900-1930, Centre Georges Pompidou,1979 nº 164 Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 40 Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 44 Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 44 Lausanne, Modigliani, Utrillo, Soutine, Les peintres de Zborowski et leurs amis - Fondation de L'Hérmitage, 1994, p. 163 - nº 5 In process |
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Other | Not in D´Atri papers ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Signature of the painting: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Lanthemann presented this as the preparatory sketch for the portrait: There is another portrait of the same subject dated as from 1917: -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The painting framed for auction in 2007: -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Changes of the painting from 1980 to actual 2017, after cleaning of the oxidated varnish layers: |
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This page is a work on progress, nothing in this page should be considered as final or definitive. |