secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 198 | Nº 238 | Nº 148 | YES | YES | Nº151 | YES | ? |
Léopold Zborowski, Paris
Henri-Pierre Roché, Paris (1920)
Bernheim-Jeune, Paris (1929)
Dr. Soubies, Paris
Sale: collection de feu le Docteur Jacques Soubies, Hôtel Drouot, Paris, 13 / December / 1940 - Lot 63 - Sold 34.000 FF
?
Walter Feilchenfeldt, Zürich (1951)
Emil Bührle, Zürich (1951-1956)
Foundation E.G. Bührle Collection, Zürich, Switzerland ( Inv. Nº 69)
Donated by Heirs of Emil Bührle in 1960
In process
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 33
Descargues, Amedeo Modigliani. Braun, Paris, 1951, pl. 9
Jedlicka, Modigliani, E. Rentsch, Zürich, 1953, pl. 28
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 198
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 238
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 148
Reidemeister, tiftung Sammlung Emil G. Bührle, Fondation Collection Emil G. Bührle, Zurich & Munich, 1973 - nº 133
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 151
Maurer, Stiftung Sammlung E.G. Bührle 42135
Bührle, Die Stiftung Sammlung Emil G. Bührle in Zürich, wiss Institute for Art Research, Zurich, 1998, pl. 9
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 248-249 - dated 1916
Gloor /Goldin, Foundation E.G. Bührle Collection, Zurich, Catalogue vol. 3, Conegliano & Zurich, 2004 - nº 137
Parisot, Modigliani la vita le opere, Carte Segrete / Musée du Montparnase, 2006 - nº 24
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
In process
Paris, Exposition rétrospective des oeuvres de Modigliani, Galerie Montaigne, 1920, p. 8
Paris, Bernheim-Jeune, 1929 - nº 153
Luzern, Moder Art exposition
Paris, Galerie Maurice Renou & Poyet, 1951
Vevey, Maurice Utrillo, Amedeo Modigliani, André Utter, Suzanne Valadon, Musée Jenisch, 1955 - nº 60
Zurich, Sammlung Emil G. Bührle, Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus, Kunsthaus Zurich, 1958 - nº 281
Munich, Hauptwerke der Sammlung Emil Georg Bührle–Zürich, Haus del Kunst, 1958-59 - nº 108
Edinburgh, Masterpieces of French Painting from the Bührle Collection, Royal Scottish Academy, 1961 - nº 10
London, Masterpieces of French Painting from the Bührle Collection, National Gallery, 1961 - nº 10
Luzern, Sammlung Emil G. Bührle, Französische Meister von Delacroix bis Matisse, Kunstmuseum Lucerne, 1963 - nº 19
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 51
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 8 (not in catalogue)
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 24
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 50
Rome, Modigliani, Complesso del Vittoriano, 2006 - nº 24
Zurich, Van Gogh, Cézanne, Monet, Die Sammlung Bührle zu Gast im Kunsthaus Zürich, Kunsthaus Zurich, 2010 - nº 69
Martigny, Modigliani & the school of Paris, Fondation Pierre Gianadda, 2013
Lausanne, Chefs-d'oeuvre de la collection Bührle, Manet, Cézanne, Monet, Van Gogh, Fondation de l'Hermitage, 2017 - nº 50
In process
Not in D'Atri papers ?
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Signature:
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color)
------------------------------------------------------------------------------------------------------------------------------------------------------------------
the painting framed at Foundation E.G. Bührle Collection, Zürich:
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
The changes of the color of the painting after cleaning have affected the overall configuration.
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
The painting background, (the blanket under the nude) is also visible in this composition that experts usually date in 1917:
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------