Beatrice Hastings or Elvira
Oil on canvas, 1919 according to the sources?
Identification
- Title
- This investigation titles the work Beatrice Hastings, with a query. Other published sources identify the sitter as Elvira.
- Date
- Other sources date it 1919.
- Medium
- Oil on canvas, recorded with a query.
- Dimensions
- Unpublished in this investigation.
- Signature
- Signed modigliani at top right.
- Present location
- Private collection, recorded with a query.
Catalogue numbers
| Compiler | Number |
|---|---|
| Arthur Pfannstiel | NO? |
| Joseph Lanthemann | NO? |
| Ambrogio Ceroni | NO |
| Jeanne Modigliani | NO? |
| Christian Parisot | YES |
| Osvaldo Patani | ? |
| Modigliani Project | ? |
| MR | ? |
| Modigliani Initiative | ? |
Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.
Provenance
- Unpublished.
The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.
Selected bibliography
Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.
- No book-length catalogue entry is recorded in this investigation.
Exhibitions
- Bonn, Kunst- und Ausstellungshalle der Bundesrepublik, Amedeo Modigliani: Ein Mythos der Moderne, 2009, no. 104.
Notes
This investigation records press discussion of the work around the time of the 2009 Bonn exhibition, including contemporaneous sale reports.
Published documentation for this file is thin. Catalogue numbers, exhibitions and bibliography are given only where the source recorded them.
The original this investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.
