Beatrice Hastings Head by Amedeo Modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
NO Nº 97 Nº 76 YES ? Nº 77 ? YES?
Date 1915 ?
Title Beatrice Hastings
Materials Oil on cardboard with collage of wallpaper? (Ireson, Ceroni: Oil on paper )
Size 40 x 28.5 cm ?
Signature: Unsigned
Actual Location Private Collection ?
Provenance
  • -?-
    Unknown
    ?
    André Lefèvre, Paris
    Sale; Palais Galliera, Sale of Lefèvre collection, 29.11.1966
    ?
    Collection Mayer (in 1990)?

    in process

Bibliography -?-

Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 97
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 76
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 -nº 77
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 83 - nº 35
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Martigny, Fondation Pierre Gianadda, Modigliani et l'Ecole de Paris, June-November 2013, pp. 42-43
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 86

in process

Exhibitions -?-

Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 39 (as oil on canvas)
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991- nº 23
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 23
Rome, Modigliani, Complesso del Vittoriano, 2006 ?
Martigny, Modigliani et l'ecole de Paris, Fondation Pierre Gianadda, 2013 - nº 9
London, Modigliani, Tate Modern, 2017-2018

in process

Other
Not in d'Atri papers?

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This painting presents holes in the 4 corners (3 of them covered by restoration)


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Ears:



Curiosity:
Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:

marcrestellini

Translation:
The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ears are full in details, as detailed as the eyes or the hair...

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the painting framed in Martigny exhibition in 2013:

beatrice hastings framed at the martigny exhibition in switzerland in 2013

  This page is a work on progress, nothing in this page should be considered as final or definitive.