Pierrot - amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 61 Nº 46 Nº 52 YES 9/1915 Nº 56 YES YES
Date 1915
Title Pierrot - Self portrait as Pierrot
Materials Oil on cardboard (Pfannstiel: cardboard - Ceroni, Parisot: paper )
Size 43 x 27 cm
Signature: Signed "modigliani" low left and the text "PIERROT" Dated and signed in the back MODIGLIANI 1915
Actual Location Statens Museum for Kunst, Copenhagen, Denmark (Nº inv. KMSr88)
Provenance -?-

G. Aubry Collection. Paris
Sale Aubry Coll. Drouot, Paris - November 24-25/ 11 / 1924- Lot 114
Johannes C. Magnus Rump (1924-1928)

Donation by Johannes Rump in 1928
Statens Museum for Kunst, Copenhagen, Denmark - Nº inv. KMSr88


Bibliography -?-

Pfannstiel, catalogue presume, Paris, 1929, p. 9 (as Portrait de l'Artiste (en costume de Pierrot)
Staten Museum for Kunst, Katalog over J. Rumps Samling af Modern Fransk Kunst, Copenhagen, 1948, p. 99
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956, nº 61
Ragghianti, Ivrea, 1958, p. 42
Roy, Modigliani, Lausanne 1958, p. 34
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, 1965, p. 160
Diehl, Modigliani, Ed. Flammarion 1969, p. 33
Diehl, Modigliani, Ed. Flammarion 1977, p. 21
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, Barcelona, 1970, nº 46
Ceroni & Piccioni, Il dipinti di Modigliani, Milan. 1972, nº 52
Nakayahama, 1974, p. 7
Lanthemann-Parisot. MODIGLIANI INCONNU: suivi de précisions et documents inédits. Brescia, Shakespeare and Company, 1978, p. 18
Mann, Modigliani, Thames and Hudson, London, 1980 - nº 82
Hall, Modigliani, Phaidon, Oxford, 1984, nº 15
Castieau-Barrielle, Modigliani, ACR Editions Paris 1987, p. 135
Diehl, Modigliani, Crown Publishers, New York, 1989, p. 35
Schmalenbach, Amedeo Modigliani, Prestel Verlag, 1990 p. 79 - nº 31
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 Nº 9/1915
Patani, Catalogo Generale, Leonardo ed. Milano 1991-94 - nº 56
Krystof, Amedeo Modigliani: The Poetry of Seeing, Taschen Cologne, 2000, p. 41
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 218-219
Soto Caba, Modigliani, the timeless face, Libsa, 2007
Marini, Modigliani , Skira, France, 2008 - nº 24, p. 58
Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 81

In process

Exhibitions -?-

Düsseldorf, Kunstsammlung Nordrhein-Westfalen, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, 1991 - nº 16
Zurich, Kunsthaus, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, 1991 - nº 16
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 37
Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 - nº 29
Villeneuve d'Ascq, L'oeil intérieur, LaM. Lille Métropole musée d'art moderne, 2016
Budapest, Modigliani, Hungarian National Gallery, 2016
Helsinki, Modigliani, Ateneum Art Museum, 2016-2017
London, Modigliani, Tate Modern, 2017-2018

In process

Other
Not in D'Atri papers?

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Signature of the painting:

signature

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Detail of the ear where the drawing is clearly visible and is painted over the color

ears

Curiosity:
Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:

marcrestellini

Translation:
The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ear is full in details, as detailed as the eyes or the hair...

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Painting Framed at the LAM exhibit in 2016:

Pierrot framed


Usual exhibition space in Staten Museum for Kunst :

usual space of exhibition next to Alice at the SMK in denmark

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This painting presents holes in the 4 corners (2 covered by restoration)

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