Man seated at a table
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
NO Nº 409 Nº 275 YES 41/1918 Nº 289 ? ?
Date 1918 ?
Title Man seated at a table - Man with the glass of wine - Le Sconezec - Man with a glass of wine seated at a table
Materials Oil on canvas ?
Size 92.53 x 54.5 cm ?
Signature: Signed "modigliani" top right
Actual Location Private Collection?
Provenance -?-

Leopold Zborowski, Paris
Private Collection, Paris
De Hauke & Co. Inc., New York (by 1929)
Ester Robles Gallery, Los Angeles ( by 1961)
Private Collection, Geneva

Sale: Sotheby's 27 / 6 /1989 - Lot 31

Private Collection?

In process

Bibliography -?-

Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 114
Russoli, Amedeo Modigliani, Fratelli Fabbri, Milano, 1963 - nº 9
Gindertael, Shop libre diffusion, 1967, pl. 24, p. 50
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 409 - title Man with the glass of wine (Le Sconezec) dated 1919
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 275 - title Man seated at a table - dated 1918
Zurcher, Modigliani, Ed. F. Hazan, Paris, 1980 - nº 51
Parisot, Modigliani, il segno, Electa, Florence, 1990, p. 185
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 289 - title Man seated at a table - dated 1918
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 41/1918 - title Man with a glass of wine seated at a table - dated 1918
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007

In process

Exhibitions -?-

New York, Paintings by Amedeo Modigliani 1884-1920, De Hauke & Co. Inc., 1929 - pl. 9 - title L'homme au verre de vin
Paris, Jacques Seligman and Co. 1929
Boston. Modigliani: Paintings and Drawings. Exh. cat., Museum of Fine Arts, 1961 - nº 26
Los Angeles. Modigliani: Paintings and Drawings. Exh. cat., Los Angeles County Museum, 1961 - nº 26
Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 40
London, Modigliani, Tate Gallery, 1963 - nº 40
Frankfurt, Amedeo Modigliani, Steinernes Haus, 1963 - nº 24

In process

Nº 165 in D'Atri papers - with the provenance in private collection, Paris 1929


Signature of the painting:



Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color)


Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:


The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ear is full in details, as detailed as the eyes or the hair...


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