Young farmer
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 347 Nº 378 NO YES ? NO YES? ?
Date 1918?
Title Young farmer - Man - Le jeune paysan - Young man with a black waistcoat
Materials Oil on canvas
Size 73.4 x 50.3 cm
Signature: Unsigned? Pfannstiel say it is signed "Modigliani" top right, but in the image is not visible
Actual Location Bridgestone Museum of Art, Ishibashi Foundation, Tokyo, Japan (Inv. Nº 136/Inv. Gaiyo115)
Provenance -?-
?
Leopold Zborowski, Paris
Paul Guillaume, Paris
Paulette Gordon
Alfred Kleinmann, Paris
Rout Collection, Paris
Knoedler & Co., New York (by 1956?)
Walter Ross Collection, New York
Sale Christie's 27/May1969 at Tokyo Bijutsu Club
Ishibashi Foundation

Bridgestone Museum of Art, Ishibashi Foundation, Tokyo, Japan (Inv. Nº 136/Inv. Gaiyo115)

In process

Bibliography -?-
?
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 347 - titled young man- dated end of 1918 first months 1919 (reproduced in plate 37)
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 378 - titled the young peasant - dated 1919

In process

Exhibitions -?-
?
New York, Sixty-Eight Great Paintings, Knoedler & Co, New York, 1957 - nº 41
Paris, Cent Tableaux de Modigliani, Galerie Charpentier, 1958 - nº 52
Houston, Museum of fine arts , 1968
Kurume, 1975
Takasaki, 1984
Tokyo, Modigliani exhibition, National Museum, 1985
Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985
Yokohama, 1986
Hachioji, 1989
Tokyo,Masterworks: Paintings from the Bridgestone Museum of Art, 1989-1990
Nashville, Masterworks: Paintings from the Bridgestone Museum of Art, Tenessee State Museum,1990-1991- nº 56
Hakone, Finding Modigliani: from Parisian Avant-garde to Classicism, Pola Museum of Art, 2014
Paris, The Bridgestone Museum Collection, Musée Orangerie, 2017

In process

Other
Not in D' Atri papers ?

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Detail of a possible signature (unknown authorship of the signature) only visible in ultraviolet light under the left elbow.

signature

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The painting framed while at the Orangerie exhibition in Paris in 2017

young farmer at the orangerie in Paris

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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)

ears

Curiosity:
Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:

marcrestellini

Translation:
The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ears are full in details, as detailed as the eyes or the hair...
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