Marie by amedeo modigliani
Image Courtesy of the Kunstmuseum Basel
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 240 Nº 315 Nº 253 YES 22/1918 Nº 266 YES YES
Date 1918
Title Marie - Little Marie - Marie fille du peuple - Marie the child of the people - Girl with scarf - Daughter of the people
Materials Oil on canvas
Size 61.2 x 49.8 cm ( Pfannstiel 61 x 50 - Ceroni 60 x 50 -- Patani, Parisot 62 x 50.5 )
Signature: Signed "modigliani" top right
Actual Location Kunstmuseum Basel, Switzerland (Inv. Nº G 1975.8)
Provenance -?-
?

Leopold Zborowski, Paris
Dr. Sabouraud Collection, Paris
Galerie Raeber, Basel
Dr. Walter Hanhart Collection, Riehen

Kunstmuseum Basel, Switzerland (Inv. Nº G 1975.8)
Bequest by Dr. Walther Hanhart, Riehen 1975

In process

Bibliography -?-
?

Salmon, Modigliani, sa vie et son oeuvre, Ed. des Quatres Chemins, Paris, 1926, pl. 29
Italianische Maler, Zurich, 1927, pl. 7
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milano, 1927, pl. 19
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 37
Basler, Deutsche Kunst und Dekoration, Kunst und Künstler, Modigliani, Print. Bruno Cassirer, Berlin, 1929-1930, pl. 28
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milano, 1936-XIV, pl. 22
Taguchi, Modigliani, Alier-Sha Tokyo, 1936, pl. 23
Franchi, Modigliani, Arnaud, Firenze, 1944, pl. 17
Franchi, Modigliani, Arnaud, Firenze, 1947, pl. 32
Venturi, Pittura Contemporanea, Milan 1948, pl. 151
Huyghe, Les contemporains, París, Pierre Tisné, 1949 - nº 44
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milan, 1950, pl. 22
Descargues, Amedeo Modigliani. Braun, Paris, 1951, pl. 44
Descargues, Amedeo Modigliani, Braun, Paris, 1954, pl. 44
Rivista di Livorno, Omaggio a Amedeo Modigliani, Livorno, 1954, pl. 15
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 240 - title Marie - dated 1918
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 97
Pavolini, Modigliani, Union Générale d'Éditions en accord avec l'Unesco, Milano 1966, pl. 13
Ponente, Modigliani, Ed. Toray, Barcelona, 1969 - nº 74
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 315 - title girl with scarf (named Marie) - dated 1918
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 253 - title Marie (the little Marie) - dated 1918
Dalevèze, Modigliani, Lausanne, 1971, p. 47
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 253 - title Marie (the little Marie) - dated 1918
Musée de Art Moderne de la Ville de Paris, Modigliani exib. cat., 1981 - nº 61
Roy, Modigliani, Nathan, Paris, 1985, p. 113
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 165
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990 - nº 79, p. 39
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 22/1918 - title Marie - dated 1918
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 266 - title Marie - dated 1918
Azara, El ojo y la sombra. Una mirada al retrato en Occidente, Barcelona, Ed. Gustavo Gili, 2002
Wayne, Modigliani & the Artists of Montparnasse, Abrams-Albright-knox gallery, New York, 2002, p. 105 - nº 28 -title Marie daughter of the people - dated 1918
Decrooq-Restellini, L'angelo dal volto severo, Palazzo Reale, Miano, 2003, p. 38, pl. 37
Fraquelli, Modigliani and His Models. Exh. cat., Royal Academy of Arts. London, 2006, p. 118 - nº 34
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Ireson/ Lewis, Modigliani, London, Tate Gallery, 2017, p. 156

In process

Exhibitions -?-
?

Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930 - nº 28
Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 59
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 51
Vevey, Utrillo, Modigliani, Valadon, Musée de Vevey, 1955 - nº 62
Bern, Modigliani, Campigli, Sironi, Kunsthalle, 1955
Basel, Kunstverein, Kunsthalle Basel, 1957 - nº 220
Paris, Cent Tableaux de Modigliani, Galerie Charpentier, 1958 - nº 77
Paris, Modigliani, Musée de Art Moderne de la Ville de Paris, 1981 - nº 61
Tokyo, Modigliani exhibition, National Museum, 1985 - nº 96
Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985 - nº 96
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 68
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 68
Buffalo NY, Modigliani and the artists of Montparnasse, Albright-Knox Gallery, 2002-2003 - nº 28
Fort Worth, Modigliani and the artists of Montparnasse, Kimbell art Museum, 2002-2003
Los Angeles, Modigliani and the artists of Montparnasse, Los Angeles County Museum of Art, 2002-2003
London, Modigliani and his models, Royal Academy of Arts, 2006
Moscow, Meeting Modigliani, Pushkin State Museum of Fine Arts, 2007
Martigny, Modigliani & the school of Paris, Fondation Pierre Gianadda, 2013
London, Modigliani, Tate Gallery, 2017

In process

Other
Nº 59 in D' Atri papers -as La petite Marie, fille du peuple - dated 1918 - 61 x 50 - Provenance in Sabouraud

Again as Nº 328 - as Marie - dated 1918 - 55 x 46 - Painted in Cagnes - - Provenance in Zborowski > Sabouraud 1929

-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

This painting presents holes in the 4 corners

-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

Detail of signature in visible normal light:

signature

-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)

ears

Curiosity:
Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:

marcrestellini

Translation:
The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ears are full in details, as detailed as the eyes or the hair...

-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

The painting framed at London, Modigliani, Tate Gallery, 2017:

The painting framed atLondon, Modigliani, Tate Gallery, 2017

Framed at Basel Kunstmuseum:

framed basel kunstmuseum

-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

The painting in Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930

The painting in Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930


  This page is a work on progress, nothing in this page should be considered as final or definitive.