Jeanne Hébuterne with yellow sweater by amedeo modigliani
Image courtesy of Solomon R. Guggenheim Museum
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 268 Nº 389 Nº 220 YES 4/1918 Nº 229 ? YES
Date 1918 ? (Guggenheim Museum 1918-1919)
Title Jeanne Hébuterne with yellow sweater - Jeanne Hébuterne
Materials Oil on canvas
Size 100 x 64.7 cm
Signature: Signed "modigliani" top right
Actual Location Solomon R. Guggenheim Museum, New York, USA ( Inv. Nº 37.533)
Provenance -?-

Leopold Zborowski., Paris
Henry Bing Collection, Paris
Feneon Collection, Paris
Private Colelction, Tokyo ? (Patani add this reference)

Solomon R. Guggenheim Museum, New York, USA ( Inv. Nº 37.533)
Gift from Solomon R. Guggenheim 1937

In process

Bibliography -?-

Scheiwiller, Editions des Chroniques du jour, Paris, 1928, pl. 5
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 43
Taguchi, Modigliani, Alier-Sha Tokyo, 1936, pl. 4
Franchi, Modigliani, Arnaud, Firenze, 1944, pl. 24
Franchi, Modigliani, Arnaud, Firenze, 1946, pl. 40
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milan, 1950, pl. 22
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 268 - title Portrait of Mme. Hébuterne - dated 1918
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 151
Russoli, Amedeo Modigliani, Silvana Editoriale d'Arte, Milano, 1958, pl. 30
Russoli, Amedeo Modigliani, Fratelli Fabbri, Milano, 1963 - nº 14-15
Gindertael, Shop libre diffusion, 1967, pl. 38, p. 64
Werner, Amedeo Modigliani, Garzanti, Milano 1967, p. 134
Werner, Amedeo Modigliani, Cercle d'art, Paris,1968, p. 142
Ponente, Modigliani, Ed. Toray, Barcelona, 1969 - nº 78
Geza, Modigliani, Budapest, Corvina Kiadó, 1969 - nº 49
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 220 - dated 1918 - nº 220 - title Jeanne Hébuterne with yellow sweater - dated 1918
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 389 - dated 1919
Rudenstine, New York, 1976 - nº 189
Roy, Modigliani, Nathan, Paris, 1985, p. 131
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 157
Parisot, Modigliani, Graphis Arte, 1988, p. 186
Orion Press, Tokyo, 1989 - nº 64
Celant-Hulten, Arte Italiana, Bompiani, Milano, 1989, p. 363
Parisot, Modigliani, il segno, Electa, Florence, 1990, p. 189
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 229 - title Jeanne Hébuterne with yellow sweater - dated 1918
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 4/1918
Krystof, Amedeo Modigliani: The Poetry of Seeing, Taschen, Cologne,1996, 2000, p. 79
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007

In process

Exhibitions -?-

Zurich, Italianische Maler, Kunsthaus Zurich, 1927 - nº 109
Rome, Capovaloridel Museo Guggenheim di New York, 1957 - nº 109
London, Masterpieces of the Guggenheim Museum in New York, 1957 - nº 52
Cincinnati, Amedeo Modigliani: Paintings, Sculpture and Drawings, The Contemporary Arts Center, 1959 nº 26
Hartford, Salute to Italy, Wadsworth Atheneum, 1961
New York, Gaugin and the decorative style, Guggenheim Museum,1961
New York, Acquisitions of the 1930's and 1940's, Guggenheim Museum,1968
New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, 1971 - nº 48
Tokyo ,Love and Nostalgia for Montparnasse, Daimaru, 1979
Osaka,Love and Nostalgia for Montparnasse , Daimaru, 1979
Venezia, Arte Italiana Presenze 1900-1945, Palazzo Grassi, 1989
New York, Visionaries: Creating a Modern Guggenheim, Guggenheim Museum,2017
New York, Modigliani unmasked, Jewish Museum, 2018

In process

Nº 218 in D' Atri papers -as Mme. Hébuterne - dated 1918 - 100 x 65 - Provenance in Bing - Feneon Paris


This painting presents holes in the 4 corners all restored (covered)


Detail of signature in visible normal light:



Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color)


Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:


The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ear is full in details, as detailed as the eyes or the hair...


The painting framed at New York, Modigliani unmasked, Jewish Museum, 2018:

The painting framed at New York, Modigliani unmasked, Jewish Museum, 2018

There is another very similar painting with the same sweater that the experts date in 1919:

jeanne Hébuterne seated, yellow jumper amedeo modigliani

Also the same sweater can be seen in a head portrait dated in 1919 by experts:

 amedeo modigliani

  This page is a work on progress, nothing in this page should be considered as final or definitive.