Jeanne Hébuterne seated in an arm chair by amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 337 Nº 388 Nº 218 YES 1/1918 Nº 227 YES ?
Date 1918 ?
Title Jeanne Hébuterne seated on an arm chair- Jeanne Hébuterne seated- Jeanne seated
Materials Oil on canvas
Size 101 x 65.7 cm? (Pfannstiel, Ceroni, Parisot, Patani 92 x 60 - Chiapini/Decrooq in exhibition: 101 x 65.7)
Signature: Signed "modigliani" top right
Actual Location Private Collection ?
Provenance -?-
?

Leopold Zborowski., Paris
J. Dubourg Collection, Paris
?


In process

Bibliography -?-
?

Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 53
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Milan, 1950 (?)
Descargues, Amedeo Modigliani. Braun, Paris, 1951, pl. 58
Descargues, Amedeo Modigliani, Braun, Paris, 1954, pl. 58
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 337 - wrong size - title Mme. Hebuterne sur un fauteuil - dated 1919
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965 - nº 192
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 238 - dated 1918 - nº 260 - title Hébuterne seated in profile with dark dress - dated 1918
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 218- wrong size - title Mme. Hebuterne sur un fauteuil - dated 1918
Lanthemann-Parisot. MODIGLIANI INCONNU: suivi de précisions et documents inédits. Brescia, Shakespeare and Company, 1978, p. 39
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 227 - title Jeanne Hébuterne seated in an armchair - dated 1918
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 1/1918 - wrong size - title Mme. Hebuterne sur un fauteuil - dated 1918
Monti a cura de R. Chiappini, Catalogue Amedeo Modigliani, Lugano, Skira, 1999 - nº 61, pp.124-125
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Ireson/ Lewis, Modigliani, London, Tate Gallery, 2017


In process

Exhibitions -?-
?

Philadelphia, 1947 ?
Tokyo, 1966 - nº 19 ?
New York, 1985-1986 ?
Auckland, 1989 ?
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 61
London, Modigliani, Tate Gallery, 2017

In process

Other
Not in D' Atri papers

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This painting presents holes in the 4 corners

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Detail of signature in visible normal light:

signature

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Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color)

ears

Curiosity:
Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:

marcrestellini

Translation:
The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ear is full in details, as detailed as the eyes or the hair...

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The painting framed at London, Modigliani, Tate Gallery, 2017:

The painting framed at London, Modigliani, Tate Gallery, 2017

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