Jeanne Hébuterne in black and red by amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 148 - WRONG Nº 359 Nº 260 YES 42/1918 - WRONG Nº 276 YES ?
Date 1918 ?
Title Jeanne Hébuterne seated in profile in a black and red dress - Jeanne Hébuterne with henna- Jeanne seated - Jeanne Hébuterne au henné - La femme au hénin - Jeanne Hébuterne seated in profile with red dress
Materials Oil on canvas
Size 100 x 65 cm?
Signature: Signed "modigliani" top right
Actual Location Netter Collection, Paris?
Provenance -?-
?

Leopold Zborowski., Paris
Netter Collection, Paris
?

In process

Bibliography -?-
?

Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 24
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 148 - wrong size and provenance /mixed with the Barnes painting
Modigliani J. , Modigliani: Man and Myth, Orion Press, New York, 1958, pl. 13
Modigliani J. , Modigliani senza leggenda, Vallecchi Editore, Firenze, 1958
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961 - nº 12
Ponente, Modigliani, Ed. Toray, Barcelona, 1969 - nº 56
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 238 - dated 1918 - nº 260 - title Hébuterne seated in profile with dark dress - dated 1918
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 360 - title Jeanne Hébuterne seated in profile - dated 1919
Mann, Modigliani, Thames and Hudson, London, 1980, p. 179 - nº 130
Hall, Modigliani, Phaidon, Oxford, 1984 - nº 47
Modigliani J. Racconta Modigliani, Ed. Graphis. 1984, p. 128
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 161
Parisot, Modigliani, Graphis Arte, 1988, p. 182
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 42/1918 as Portrait de Jeanne Hébuterne, with mistake in the exhibitions, provenance, owners, mixed with the other similar Jeanne Hebuterne (see bellow)
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 276 - title Jeanne Hébuterne in profile in red dress - dated 1918
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 173 - title Jeanne Hébuterne - dated 1918
Restellini, La Collection Jonas Netter, Pinacotheque de Paris, 2012

In process

Exhibitions -?-
?

Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930 - nº 11
Paris, Cent Tableaux de Modigliani, Galerie Charpentier, 1958 - nº 100
Paris, La Collection Jonas Netter - Modigliani, Soutine et l'Aventure de Montparnasse, Pinacotheque de Paris, 2012
Milano, La Collection Jonas Netter, Palazzo Reale, 2013
St. Petersburg, Modigliani, Soutine and other legends of Montparnasse (the Netter Collection), Curated by Marc Restellini, Fabergé Museum, 2017-18

In process

Other
Nº 223 in D' Atri papers, titled Portrait de Mme. Hébuterne sur un fauteuil - 92 x 60 - provenance in Zborowski

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This painting presents holes in the 4 corners

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Detail of signature in visible normal light:

signature

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Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color)

ears

Curiosity:
Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:

marcrestellini

Translation:
The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ear is full in details, as detailed as the eyes or the hair...

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The painting at the Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930:

The painting at the Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930

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The painting framed at St. Petersburg, Modigliani, Soutine and other legends of Montparnasse (the Netter Collection), Fabergé Museum. Curated by Marc Restellini, 2017-18:

The painting framed at St. Petersburg, Modigliani, Soutine and other legends of Montparnasse (the Netter Collection), Fabergé Museum. Curated by Marc Restellini, 2017-18
Image Courtesy of the Barnes Foundation
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There is a very similar painting in size and composition

Jeanne Hébuterne seated in profile with white dress amedeo modigliani- Jeanne Hébuterne seated in profile with dark dress amedeo modigliani

The painting with the black & red dress is the one that Parisot mixed with the white dressed.

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This are the 2 paintings one on top of the other the changes can be easily seen:
This are the 2 paintings one on top of the other the changes can be easily seen


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