girl in a stripped black apron by amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 237 Nº 384 Nº 240 YES ? Nº 252 ? ?
Date 1918
Title Girl in a black dress - Girl in a black apron seated - Girl in a striped black dress - Young girl in striped apron - Girl dressed in black - Yyoung seated girl with hands crossed
Materials Oil on canvas
Size 93 x 61 cm (Patani 93 x 60)
Signature: Signed "modigliani" top right
Actual Location Museum of Avant-garde Mastery (MAGMA)
Provenance -?-
?
Léopold Zborowski, Paris
Netter Collection, Paris (in 1933)
?
Private Collection, Switzerland (by 1958 - in 1972?)
?
Sale: Christie's London, 30/03/1987 - Lot 22
Sold : 2.400.000 GBP
?
Sale: Sotheby's New York, 28/11/1989 - Lot 52
Sold: 7.185.200 USD
?
Sale: Sotheby's, New York, 9/11/2000 - Sale 7545 - Lot 38
Estimate: 8.000.000 - 12.000.000 USD - Sold: 15..625.750 USD

Museum of Avant-garde Mastery (MAGMA) / Vyacheslav Kantor

In process

Bibliography -?-
?

Salmon, Modigliani, sa vie et son oeuvre, Ed. des Quatres Chemins, Paris, 1926, pl. 19
Kunst und Kunstler, Modigliani, Bruno Cassirer, Berlin, 1932, p. 211
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 237 (dated 1917)
Russoli, Amedeo Modigliani, Exhib. catalogue Palazzo Reale, Edizioni dell'ente manifestazioni Milanesi, Milano, 1958, pl. 7
Russoli, Amedeo Modigliani, Silvana Editoriale d'Arte, Milano, 1958
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 2914 (dated 1918)
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 240 (dated 1918)
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 240
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 252 Dated 1918)
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007


In process

Exhibitions -?-
?

Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 33
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 25
- Probably nº 14 in Paris, Modigliani, Galerie de France, 1945-46 (not sure)
Roma, Modigliani, VI Quadriennale, Palazzo delle Exposizioni, 1951-1952 - nº 13
Paris, Cent Tableaux de Modigliani, Galerie Charpentier, 1958 - nº 37 (dated 1916 - Private Collection, Switzerland - 93 x 60.5 cm)
Moscow, My fatherland is in my soul, Works from the collection of the Museum of Avant-garde Art (MAGMA), 2013

In process

Other
Nº 33 in D' Atri papers as "Jeune femme au tablier rayé" - 91 x 64 - 1917

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Detail of signature in visible normal light:

signature in visible light

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The painting framed at Moscow, My fatherland is in my soul, Works from the collection of the Museum of Avant-garde Art (MAGMA), 2013:

The painting framed at Moscow, My fatherland is in my soul, Works from the collection of the Museum of Avant-garde Art (MAGMA), 2013

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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)

ears

Curiosity:
Marc Restellini extract from a report by him will give a deeper comprehension of the private expert way of working:

marcrestellini

Translation:
The ears: When they are left exposed in female portraits (rare), they are not detailed. Even in the portraits of men, they are not the object of so much detail.

Exactly the opposite to this case, the ears are full in details, as detailed as the eyes or the hair...




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