secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 314 | Nº 312 | Nº 254 | YES | 34/1918 | Nº 267 | YES | ? |
?
Antoine Villard Collection, Paris (until 1928)
Bernheim-Jeune, Paris (in 1928 - in 1930)
Georges Bernheim Collection, Paris (until 1934)
Renou et Colle, Paris (by 1937)
Charles Boyer Collection , Paris-Los Angeles (1937 to 1949)
M. Knoedler & Co,, New Yotk (1949-1950)
Henry Pearlman Collection (February 1950 to 1954)
Justin K. Thannhauser Collection, New York (acquired from above 1954 in exchange for a Cezanne work)
The Solomon R. Guggenheim Museum, New York
(donation from Thannhauser Collection in 1978 but in the museum since 1969)
Sale: Sotheby's New York, 1978
Galerie Beyeler, Basel (1978 - 1990)
Private Collection, Japan
Seibu Department Stores Ltd. corporative art Collection (by 2002)
Private Collection?
In process
?
Descargues, Amedeo Modigliani. Braun, Paris, 1951, pl. 56
Art Digest, April 1952, p. 9
Ponente, Commentari, Rome, 1952, pl. 45
Descargues, Amedeo Modigliani, Braun, Paris, 1954, pl. 56
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 314 - titled Young girl seated - 1918
Modigliani J. , Modigliani: Man and Myth, Orion Press, New York, 1958, pl. 46
Modigliani J. , Modigliani sans légende, Gruend, Paris, 1961, pl. 46
Ceroni, Amedeo Modigliani : dessins et sculptures ; avec suite du catalogue illustre des peintures, Edizioni del Milione, Milano, 1965 - nº 194
Ponente, Modigliani, Ed. Toray, Barcelona, 1969, p. 34, pl. 46
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 312 - titled Seated girl - dated 1918 (located in Guggenheim Museum)
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 254 - titled Girl seated, hands in her lap - dated 1918 (located in Pearlman coll. but it was at Guggenheim Museum)
Ceroni & Cachin, Tout l'oeuvre peint de Modigliani, Paris, 1972 - nº 254 - titled Girl seated, hands in her lap - dated 1918
Barnett: The Thanhauser Collection 1978 - nº 31
Barnett: Handbook The Solomon R. Guggengeim Museum - nº 99, pp.218-219
Castieau-Barrielle, La vie et l'oeuvre de Amedeo Modigliani, Editions ACR, Paris, 1987, p. 200
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 138 - nº 86
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 34/1918- titled Seated girl - dated 1918 (located in Galerie Beyeler, Basel)
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 267 - titled Girl seated, hands in her lap - dated 1918 (located in Galerie Beyeler, Basel)
Parisot, Amedeo Modigliani, 1884-1920 : itinéraire anecdotique entre France et Italie, ACR edition, 1996, p. 157
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 348-349 - nº 85 - titled Girl seated, hands in her lap - dated 1918 - size 92 x 53
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
In process
?
Brussels, Modigliani: Retrospective Exhibition. Palais des beaux-arts, 1933 - nº 64
Basel, Amedeo Modigliani, Kunsthalle, 1934 - nº 55
Dallas, Private Collections of American Professional and Business Men, Dallas Museum of Art, 1952 - nº 37
Palm Beach, Amedeo Modigliani, The Society of the Four Arts, 1954 - nº 25
Miami, Amedeo Modigliani, The Lowe Art Gallery, 1954 - nº 25
Tokyo, Modigliani exhibition, National Museum, 1985 - nº 102
Nagoya, Modigliani exhibition, Aichi Prefectural Art Gallery, 1985 - nº 102
New York, The Justin K. Thannhauser Collection, The Solomon R. Guggenheim Museum, 1978
Basel, L' Eternel femenin, Galerie Beyeler, 1989-1990
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 87
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 71
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 71
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 85
In process
Nº 63 in D'Atri papers as young girl seated, size 92 x 53 - dated 1919 and signed top left ( a mistake??? ) the text next to the number make it certain that is this painting with provenance in Bernheim, 1929
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Signature of the painting:
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Detail of the pointy ears where the drawing is clearly visible and is painted over the color (on top of the color)
