Jeanne Hebuterne a la cloche by amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 120 Nº 186 Nº 174 YES ? Nº 179 YES ?
Date 1917
Title Jeanne Hébuterne a la cloche - Jeanne Hébuterne with cloche Hat - Girl with blue eyes
Materials Oil on cardboard (Sotheby's by mistake say panel - Restellini say oil on canvas)
Size 67 x 51.5 cm
Signature: Signed "modigliani" bottom right
Actual Location Private Collection?
Provenance -?-
Leopold Zborowski, Paris
Galerie Bing, Paris
Netter Collection, Paris (Acquired 1926 sold in 1929)
E. Bignou Collection, Paris (Acquired in 1929)
Frank Crowninshield Collection, New York (in his collection in 1932 and again in 1938)
?
( Usually provenance records say Belien Collection, Brussels in1953, but is a mistake with the other Jeanne Hébuterne with large hat)

Edward A. Bragaline Collection (in 1971)
Private Collection?
Sale: Sotheby's, New York, May 1, 1996, lot 44
Private collection, Paris

Sale: Sotheby's, New York, Impressionist & Modern art evening sale - 02-November-2010 - Lot 14
Estimate: 9.000.000 - 12.000.000 USD - Sold: 19.122.500 USD

PROPERTY SOLD TO BENEFIT YOUNGARTS, THE CORE PROGRAM OF THE NATIONAL FOUNDATION FOR ADVANCEMENT IN THE ARTS

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Curiosity:
Marc Restellini say there is no cardboard in Modigliani's oeuvre after 1915 and that everything done later in cardboard is fake but again he
informs that he will include this work in his CR even if its made in cardboard and dated by him in 1917?, a nonsense.

This extract from a report by him will give deeper comprehension of the private expert way of working:
restellini-nonsense
Translation:
4 / Study of support and technique
a) The cardboard as a support for the works of Amedeo Modigliani
Modigliani used cardboard as a medium for thirty works. In 1915, he made 14 works of this type, and this is the last year in which he uses this medium.
From 1916, Modigliani never uses this medium because it is supported by the merchants Paul Guillaume (whose personal collection was given to the French
State and is exposed at the Musée de l'Orangerie in Paris) and Leopold Zborowski. It is thus supplied in canvases by these merchants and therefore no longer
needs to use poor media such as cardboard.

This support does not exist at Modigliani after 1915.
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Private Collection?

In process

Bibliography -?-

Deutsche Kunst und Dekoration, Gemälde von Modigliani, Verlagsanstalt Alexander Koch, XXVIII - July 1925, illutrated p. 203 as woman portrait.
Salmon, Modigliani, sa vie et son oeuvre,Ed. des Quatres Chemins, Paris, 1926, pl. 3
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 27 opposite
Einstein, Die Kunst des 20 Jahrhunderts, Berlin, 1931, p. 294
Taguchi, Modigliani, Alier-Sha Tokyo, 1936, pl. 5
Franchi, Modigliani, Arnaud, Firenze, 1944, pl. 8
Goldberg & Navon, Three Jewish Artists, Modigliani- Pascin- Soutine, Hashomer Hatzair, Palestine, 1944, pl. 7
Franchi, Modigliani, Arnaud, Firenze, 1946, pl. 13
Rivista di Livorno, Omaggio a Modigliani, Livorno, July-August 1954, pl. 9
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 120
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 83 (dated 1916-1917 and as oil on canvas)
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 186
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 174
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 179 (as oil on canvas and dated 1917)
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008 - pp. 98- 99 (dated in 1917 and incorrectly as oil on canvas)

In process

Exhibitions -?-
New York, Paintings by Amedeo Modigliani 1884-1920, Dehauke & Co. Inc., 1929 - nº 26 (illustrated in the catalogue with incorrect provenance and title) and again as Nº 32
New York, Summer Exhibition: Painting and Sculpture, Museum of Modern Art, 1932 as "girl with blue eyes"
New York, Great Portraits from Impressionism to Modernism, Wildenstein & Co.,  1938 - nº 26
Brussels, La Femme dans l'art français,  Palais des Beaux-Arts, 1953 -nº 92
New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, Inc. 1971 - nº 22 (Edward A. Bragaline Collection)

In process

Other As nº 189 - oil on canvas and dated in 1917 (wrong size: 64.5 x 52 cm) in D' Atri papers

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This painting presents holes in the 4 corners, some of them covered by restoration( but the round mark of the pin still visible)

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The infra red image show the clear line of the drawing and that the necklace was added after the neck was done in a second stage of the work:

infra red image, jeanne hebuterne a la cloche
  This page is a work on progress, nothing in this page should be considered as final or definitive.